1871 Engraver (24 results)

#439 of a limited edition of 1500 copies SIGNED BY JOHN HENRY NASH. i-xx, 1-113, [1] pages. Hardcover: H 28.75cm x L 20.25cm. Brown slipcase rubbed with soiling and stains, paper tears and splits at seams, patch of paper peeling on a side panel. No dust jacket. Khaki colored cloth spine with toned paper title label; marbled paper over boards. Deckle fore-edge and bottom edge. Three-line ink Christmas 1964 gift inscription on front free endpaper with name in middle line obtrusively obscured under several swaths of black marker. Rectangular patch of toning to bottom spine corners of rear endpapers caused by a now removed bookseller's ticket. Interior pages are otherwise clean. Binding is firm. A very good copy in a poor slipcase. Limitation and John Henry Nash's signature are provided upon a rear colophon page.…

1. Original-Stahlstich von Holl (in der Platte signiert) auf rückseitig unbedrucktem Büttenkarton, bildliche Darstellung ca. 14 x 11,5 cm, Kartongröße ca. 27 x 20 cm (jeweils Höhe x Breite), sehr gut erhalten 1100 gr.

1. Original-Stahlstich von Holl (in der Platte signiert) auf rückseitig unbedrucktem Büttenkarton, bildliche Darstellung ca. 14 x 11,5 cm, Kartongröße ca. 26,5 x 20 cm (jeweils Höhe x Breite), sehr gut erhalten 1100 gr.

1. Original-Radierung von George Robert Lewis (in der Platte signiert) auf aufgewalztem China mit dekorativ abgesetztem Plattenrand auf rückseitig unbedrucktem Büttenkarton, bildliche Darstellung ca. 10,5 x 12,5 cm, Kartongröße ca. 20 x 24 cm (jeweils Höhe x Breite), im breiten Rand etwas Alterspatina, ansonsten gut erhalten, sehr selten, unser Blatt im British Museum nachweisbar 1100 gr.…

1. Original-Stahlstich von Holl (in der Platte signiert) auf rückseitig unbedrucktem Büttenkarton, bildliche Darstellung ca. 14 x 11,5 cm, Kartongröße ca. 26,5 x 20 cm (jeweils Höhe x Breite), sehr gut erhalten 1100 gr.

Condition: Good. Original steel engraving on paper. Very Good. 9.25 x 6.5 inches. Minor wrinkling to right edge. Crease at bottom left corner. Water stains on edges, not affecting image.

1p., 12mo. In fair condition, on aged paper, with tape repairs to reverse causing staining along fold line. The note reads: 'Dear Sir | If you will come to The Star at a quarter before nine o'C., we are to be shown the picture of the Waterloo Banquet at that time at my particular request'. Salter's painting was exhibited to the public in 1841. It is now in Apsley House. As another artist of large-scale historical works Hayter would have taken a particular interest in it.…

2pp., 12mo. In fair condition, on aged paper, with slight creasing and chipping at head. In answer to an enquiry, he states regarding 'the Portrait of the Marchioness of Abercorn' that 'though Mr Moon & I have not yet completed our arrangements I consider that the Plate is his property & not mine as you appear to have been informed'. He concludes by thanking him 'for the favorable opinion you are pleased to express both of the plate in question & the engraving'.…

Condition: Good. Hand-colored engraving. 4 1/2 x 7 1/8 in. (image); 8 1/4 x 11 3/4 in. (sheet). Very Good, light toning and foxing in the margins, tape along top sheet edge.

Condition: Good. Hand-colored engraving. 4 1/2 x 7 1/8 in. (image); 8 1/4 x 11 3/4 in. (sheet). Very Good, light toning and foxing in the margins, tape along top sheet edge.

Condition: Good. Hand-colored engraving. 4 1/2 x 7 1/8 in. (image); 8 1/4 x 11 3/4 in. (sheet). Very Good, light toning and foxing in the margins, tape along top sheet edge.

Condition: Good. Original steel engraving on paper. Very Good. 8 x 5 inches. Minor toning. Light staining not affecting image. 6th Baron Byron George Gordon Byron (1788-1824, British), Poet.

See the entries for Robinson and Cooke in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, folded twice. Addressed to 'My dear Mr Cooke'. Cooke's 'friendly note' about the time he 'proposed setting out for Deal' was received on the Thursday, and the Robinsons are 'glad indeed to hear that your dear Mother is again restored to her usual health'. The Robinsons think that 'change of occupation & fresh air together, may have the desired effect both as regards yourself & your son Conrad'. The present season has been a 'trying' one, and Robinson gives a brief description of his own indisposition. He hopes that he can meet Cooke 'on Thursday week, the day before the private view'. A reference to 'Mr & Mrs Cope' follows. Robinson is sorry that the 'programme' Cooke has 'sketched' leaves 'little chance of our seeing you before you return from Stratford'. He ends by informing Cooke that his wife is 'pretty well'. Conrad Cooke's entry in Grace's Guide stresses his electrical work (he designed and installed first electric light on the Clock Tower of the Houses of Parliament) and his early promotion of the telephone.…

Condition: Good. Large folio. 37 x 52.2cm. Original wraps. Very good. Decorative Textile chemise and black board slipcase. Some light foxing.[7], 10-148, [1] p. : ill. (part col.) ; 53 cm.At head of title: 1921."Achevé d'imprimer le tome premier d'Architectures à 500 exemplaires"--Colophon.No more published.Illustrations signed: R. de la Fresnaye; Jacques Villon sc.; Paul Vera sc.; lithography by Marchizet, Paris.Title printed in red and black.OCLC Number / Unique Identifier:458325019.Note(s) : Les planches (gravures sur bois, gravures en taille-douce et lithographie) de Paul Véra, Roger de la Fresnaye, André Mare, Louis Süe, Marie Laurencin, Jean-Émile Laboureur, Dunoyer de Segonzac, et alii comptent dans la pagination. - Tiré à 500 ex. numérotés de 1 à 500 sur papier vélin pur fil des Papeteries Navarre.…

Condition: Good. Stipple engraving. 24.5 x 16 cm (sheet). Facsimile signature. Very Good, sheet lightly toned, a few specks of foxing.

Condition: Good. Engraving. 24.5 x 16 cm (sheet). Facsimile signature. Very Good, light toning along sheet edges.

Pair of aquatints, printed in colour, trimmed to image, some vertical creasing, some browning, stain in sky of first print. The prints depict a young sailor setting off on his career and then returning as a successful officer. Both show many fascinating details of a harbourside in early 19th century France.…

Condition: Good. Handcolored in outline engraved map. 56.5 x 42cm. Mounted on a support sheet.Covers also the Falkland, South Orkney, South Shetland and South Georgia islands.OCLC Number / Unique Identifier: 74331374.

Condition: Good. Handcolored in outline engraved map. 42 x 56.5cm. Mounted on a support sheet.SOutline hand color. Relief shown by hachures. Prime meridian is Paris. In upper left margin: Atlas universel. . .OCLC Number / Unique Identifier:73514350.

Condition: Good. Handcolored in outline engraved map. 42 x 56.5cm. Mounted on a support sheet.Outline hand color. Relief shown by hachures. Prime meridian is Paris. In upper left margin: Atlas universel. . .OCLC Number / Unique Identifier:73514340.

Condition: Good. Handcolored in outline engraved map. 56.5 x 42cm. Mounted on a support sheet.Small losss and stain.Carte de l'Amerique Septentrionale. Dressée par M. Lapie, 1er. Geographe du Roi et M. Lapie fils, Géogphe de S.A.R.M. le Dauphin. Paris, 1830. Chez Eymery Fruger et Cie., Rue Mazarine No. 30. La gravure dirigee et executee par Lallemand. .OCLC Number / Unique Identifier: 73514337.…

Condition: Good. Handcolored in outline engraved map. 56.5 x 42cm. Mounted on a support sheet.Repair to title.OCLC Number / Unique Identifier: 73514341.

Condition: Good. Handcolored in outline engraved map. 56 x 42.3cm. Mounted on a support sheet.Relief shown by hachures. Shows Indian tribes, settlements, roads, etc. Prime meridian: Paris. . with inset map of Guatemala .Dressée par M. Lapie, 1er. Geographe du Roi et M. Lapie fils, Geographe de S.A.R.M. le Dauphin. Paris, 1829. Chez Eymery Fruger et Cie., Rue Mazarine No. 30. La gravure dirigee et executee par Lallemand. .OCLC Number / Unique Identifier:73514339.…

Condition: Good. Aquatint and softground etching on rag paper. 50 x 67 cm, sheet size. Marginal tear.Pendant la "retraite de Russie" les troupes russes poursuivent les Français (et ce, jusqu'à Paris). A observer, le cavalier porte un casque en métal et non un bonnet de fourrure.On peut observer que les troupes que Shur donne pour des "Cosaques" sont en fait des Bachkirs ou des Kalmoucks. Leurs tenues et leurs équipement est très proche de ceux du XIVème siècle.Peintre d'histoire, dessinateur et lithographe. - Directeur de l'Académie de France à Rome de 1828 à 1835, membre de l'Institut. - Fils de : Vernet, Antoine Charles Horace dit Carle (1758-1836) également peintre et lithographe. - Petit-fils de : Vernet, Josep. Gravure à l'aquatinte et au pointillé par Jean-Pierre-Marie Jazet d'après le tabl. d'Horace Vernet. Jazet fut, comme on sait, le graveur attitré d'Horace Vernet qu'il vulgarisa. Il eut également la spécialité des sujets tirés de l'histoire napoléonienne.…