Marie Lundquist (25 results)

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Très bon. Couverture différente. Edition 2017. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Different cover. Edition 2017. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paperback. Condition: Brand New. bilingual edition. 139 pages. Swedish language. 6.75x5.00x0.50 inches. In Stock.

Softcover. Condition: Bon. Ancien livre de bibliothèque avec équipements. Edition 2002. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2002. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paperback. Condition: Brand New. 86 pages. 8.50x5.50x0.22 inches. In Stock.

Hardcover. First Edition. 19 x 26cm unpaginated hardback with colour reproductions by Faldt and text by Lundquist. Near fine in near fine dustjacket.

99 s. Förlagsband med skyddsomslag.

87 s. Förlagsband med skyddsomslag. Rygg samt främre omslag lite veckat. Bakre omslag veckat och med ett par revor.

Albert Bonniers Förlag, Stockholm 2005. 99 sidor. Förlagsband med skyddsomslag. Gott skick.

Sveriges Allmänna Konstförening, Stockholm 2007. 118, (2) sidor. Förlagsband med skyddsomslag. Bra skick. (Sveriges Allmänna Konstförenings publikation 117).

120 s. Illustrerad. Förlagsband med skyddsomslag. Fint exemplar.

(13), 463 s. Häftad. Namnteckning, läsränder på ryggen. (Meddelanden från Historiska institutionen i Göteborg 23).

Condition: Very good. Dust Jacket Condition: About fine. First edition. 4to. [37] pp + 285 plates. Illustrated with 285 b/w full-page plate photographs. Silver foil lettering to spine. Grey endpapers. Minor marks on the text block edges. Pages bright and clean. Binding strong and square. Boards and spine unblemished. Very slight wear to the edges of the d/j. A crisp, bright, and strong copy overall. Hardcover grey paper over boards with complete d/j.

Andra tryckningen. 82 (2) s. Förlagsband. Förlagsny. Författarens debutbok.

Hardcover. Condition: New. Dust Jacket Condition: New. In original shrinkwrap.

Hardcover. Condition: New.

96 (5) s. Förlagsband med skyddsomslag. Förlagsny.

Hardcover. Condition: Very good. Dust Jacket Condition: very good. Cloth/dust jacket Quarto. black cloth, white lettering, dust jacket, unpaginated text in Swedish Standard shipping (no tracking or insurance) / Priority (with tracking) / Custom quote for large or heavy orders.

Paperback. Condition: Good. Origineel en vertaling van elk gedicht Dutch.

Family and memory are the leitmotifs in Nina KorhonenÆs book series conceived as a trilogy. Rewind, The Photographs is the continuation as well as the conclusion of her examination of issues of identity and self-discovery, picking up on her two previous books with the Swedish publishers Journal, i.e. Minne. Muisto. Memory (1997) and Anna Amerikan mummu (2004). In Minne. Muisto. Memory the artist revisited the scenes of her childhood and cast young models in those roles. In Anna Amerikan mummu she drew the life portrait of her grandmother, an exceptional woman who emigrated to the United States early on; in the book the granddaughter / photographer enters into an intense, photographic dialogue with her. In Rewind. The Photographs the self-portraits and the family scenes blend once again into an emotionally charged image which draws its strength from subtle moments of feeling that allow associations with love, death, joy and pain. , English, Year2009, Illust. B/W, Illust. Color49, ISBN 9783902675354, Code 6616. RETAIL ONLY. Clothbound with Jacket, In Pristine Condition, Cat. of exh. Pages 54, Size 11öx 9ö.

Legus Förlag, 1994. Inbunden med skyddsomslag. Större format: 33 x 24, 5 cm. Opaginerad, rikligt illustrerad med fotografier. Saknar medföljande fotografi. Boken är i mycket gott skick.

Hardcover. Condition: Fine. Sammallahti, Pentti (illustrator). First Edition. 199 pp. 4to. Brown cloth boards with burgundy embossed titling and a Pentti Sammallahti photograph inset into the cover. Interior crisp. No dust jacket, as issued. A retrospective of the stunning black and white photography of Finnish photographer, Pentti Sammallahti (b. 1950). Print following the title page is signed in pencil by Sammallahti.

Hardcover. Condition: New. Essays by poet, author and translator Marie Lundquist on 35 photographs by as many photographers, among them Josef Sudek, Josef Koudelka, Nina Korhonen, Klavdij Sluban, Francesca Woodman, Sirkka-Liisa Konttinen, Ewa Stackelberg, Wendy Sue Lamm, Jean Hermanson, Henri Cartier-Bresson, Anders Petersen, Sergio Larrain, Yuki Onodera, André Kertész, Berenice Abbott, Pentti Sammallahti, Christer Strömholm. 35 b/w and color images Editor: Gösta Flemming Design: Johan Melbi Published in co-operation with Sveriges Allmänna Konstförening/SAK (Swedish Association for Art) Hard cover with dust jacket 170 x 225 mm 120 pages Swedish.

Condition: Gut. Numeriertes Exemplar 4/9 von Susanne Nickel signiert. Sprache: Deutsch Gewicht in Gramm: 450 22 x 18 cm, illustrierter Pappband.

Quarto; hardcover, with silver-gilt spine titles; 315pp., with many monochrome illustrations. Very minor wear. Near fine in like dustwrapper professionally protected by superior non-adhesive polypropylene film. Postage quoted is for a standard format octavo book. Final charges may vary depending on size and weight. "Born on the Swedish island of Gotsby, Smoliansky was obsessed with the camera from the age of eighteen when he bought his own Rolleiflex. Inspired by his homeland, his location was exclusively the subject of his work. Shooting images of everyday objects, gloves suspended from a window, a cloud passing over water, the silhouette of a tree like an ink spill on a white page; his works carry an aesthetic beauty and cinematic suspense. Although Smoliansky's work demonstrates a Swedish melancholy, it is also part of a broader European photojournalistic tradition. Very much like the practice of Andre Kertesz, his eye distils its subject. Form and line are used economically while unorthodox camera angles and aerial views render the subject abstract. In an age of destination photography where the exoticism of the subject often defines the photographer, Smoliansky seeks to find the extraordinary within the everyday."- Saltsjo-Boo.