How to dissent from enforced temporalities: essays from artists, theorists and more
The essays in this volume chronicle projects and ideas that analyze the nuances of spatial experience: reaching into the cracks of the body, probing the fuzzy borders of atmospheres, extending out across both geographical and epistemological coordinates. Like its predecessor, Slow Reader, this new publication is intended to inspire both a different velocity of engaging the world and critical shifts in consciousness that only slow thinking and practice can provoke.
Contributors include: Lara Almarcegui, Marijke Annema, Martina Buzzi, Nicolas Buzzi, Sol Camacho, Cave_bureau (Kabage Karanja and Stella Mutegi), Renske Maria van Dam, Chiara Dorbolò, Cocky Eek, Anna Maria Fink, David Habets, Ian Hanesworth, Maria Hassabi, Beate Hølmebakk, Saba Innab, K? Kahakalau, Bronwyn Lace, Daniel Lie, Pia Lindman, Ruth Little, Megumi Matsubara, Ash McAskill, Salima Naji, Ligia Nobre, Alessandra Pomarico, Maria Popova, Raqs Media Collective, Jane Rendell, Angela Sakrison, Carolyn F. Strauss, Christine Takuá, Li Tavor, Alice Van der Wielen-Honinckx, Françoise Vergès and Sara Wookey.
Slow Spatial Research: Chronicles of Radical Affection is a collection of essays about ‘Slow’ approaches to spatial practice and pedagogy from around the world. The book’s contributors are from twenty-two countries on five continents. Each one brings distinct philosophical and disciplinary approaches―from ‘spatial’ fields like architecture, sculpture, and installation, but also performative, somatic and/or dramaturgical practices―, exploring how we think about and engage with space at a range of scales, tempos, and durations. The essays chronicle projects and processes that amplify tangible and intangible qualities of spatial experience: reaching into the cracks of the body, probing the fuzzy borders of atmospheres, and extending out across both geographical and epistemological coordinates. The term ‘radical affection’ in the book’s title was coined to unite those diverse approaches in a call for tender acts of individual and collective imagination through which new forms of caring, connection, and resilience might emerge. Like its predecessor, Slow Reader (Valiz 2016), this new publication is intended to spur meaningful dialogue between disciplines and cultures, inspiring not only a different velocity of engaging the world but also critical shifts in consciousness that only Slow thinking and practice can provoke.
