Odd Man Out: Readings of the Work and Reputation of Edgar Degas
Language: English
Published by Univ of Chicago Pr, Chicago, Illinois, U.S.A., 1991
- Hardcover
- New
Condition: New
£ 1,537.88
Quantity: 1 available
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T-Armcarol; Armstrong, Carol M. Odd Man Out: Readings of the Work and Reputation of Edgar Degas DEGAS EDGAR 1834 1917 ART.
Seller Inventory # 38188
- Title
- Odd Man Out: Readings of the Work and Reputation of Edgar Degas
- Author
- Armstrong, Carol M.
- Publisher
- Univ of Chicago Pr, Chicago, Illinois, U.S.A.
- Publication year
- 1991
- Condition
- New
- Binding
- Hardcover Monograph
- Language
- English
- ISBN 10
- 0226026957
- ISBN 13
- 9780226026954
- Seller catalogs
- All
By reading several groups of the artist's images through the lens of a sequence of critical texts, Armstrong shows how our critical and popular expectations of Degas are overturned and subverted. Each of these groups of images is matched to different interpretive moves, each highlighting distinct themes: economics and vocation; narrative and semiotics; gender and corporeality; and the author and self. Armstrong's provocative analysis celebrates the tantalizing qualities of the artist's elusive career: the pluralism of his work, its conflation of positivistic and negational tactics, the modern and the traditional, the abstract and the representational.
"A lucid and searching study. . . . Armstrong has produced one of the most elegant and persuasive examples of the historian's use of 19th-century art criticism. In the process, she has achieved a reading of the artist which makes a difference to the way we understand the difference of Degas himself."―Neil McWilliam, Times Higher Education Supplement
"This is a brilliant, original, and beautifully articulated study. Carol Armstrong's scholarship is impressive in its richness, ambition, and sophistication: Degas's works have rarely been given such detailed, penetrating, and suggestive readings as those offered in this book."―Linda Nochlin, Yale University
"With brilliant insight and incisive analytical intelligence, Carol Armstrong introduces new ways to conceptualize the structural ambiguities of Degas's work. Her subtle and probing readings clarify the fundamental contrariness of Degas's images―their disturbing negativity, their anti-modern modernism. Odd Man Out catapults the criticism of Degas from the hinterlands of traditional art history to the foreground of contemporary critical theory in both literature and the visual arts."―Charles Bernheimer, University of Pennsylvania
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