Doris Lessing brought the manuscript of ‘The Grass is Singing’ with her when she left Southern Rhodesia and came to England in 1950. When it was first published it created an impact whose reverberations we are still feeling, and immediately established itself as a landmark in twentieth-century literature.

Set in Rhodesia, it tells the story of Dick Turner, a failed white farmer and his wife, Mary, a town girl who hates the bush. Trapped by poverty, sapped by the heat of their tiny brick and iron house, Mary, lonely and frightened, turns to Moses, the black cook, for kindness and understanding.

A masterpiece of realism, ‘The Grass is Singing’ is a superb evocation of Africa’s majestic beauty, an intense psychological portrait of lives in confusion and, most of all, a passionate exploration of the ideology of white supremacy.

Review

‘Original and striking...full of those terrifying touches of truth, seldom mentioned but instantly recognised.’ New Statesman

‘Doris Lessing responds more passionately than most writers to people or situations: often she responds with hate or rancour, but always with passion. In “The Grass is Singing”, you can feel the dynamo-like throb of a formidable talent; by its side, most novels of 1950 look like crochet-work.’ The Times

‘“The Grass is Singing” focuses on the blighted life of a woman whose spirit is destroyed by a disastrous marriage and by an environment to which she couldn’t respond. More than any other white African writer of her generation, Doris Lessing is aware of the seductive cruelty of colonialism, and is one of our strongest, fiercest voices against injustice, racism and sexual hypocrisy.’ Independent on Sunday

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