French Paintings of the Fifteenth through the Eighteenth Century
Language: English
Published by Princeton University Press, 2010
- Hardcover
- New
Seller: BWS BKS, Ferndale, NY, U.S.A.BWS BKS
AbeBooks seller since June 4, 2026
Condition: New
£ 1,504.68
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Georges de La Tour's haunting depiction of a repentant Mary Magdalen gazing into a mirror by candlelight; Jean Simà on Chardin's perfectly balanced image of a young boy making a house of cards; Jean Honorà Fragonard's monumental suite of landscapes showing aristocrats at play in picturesque gardens--these are among the familiar and beloved masterpieces in the National Gallery of Art, which houses one of the most important collections of French old master paintings outside France. This lavishly illustrated book, written by leading scholars and the result of years of research and technical analysis, catalogues nearly one hundred paintings, from works by François Clouet in the sixteenth century to paintings by Ãlisabeth Louise Vigà e Le Brun in the eighteenth. French art before the revolution is characterized by an astonishing variety of styles and themes and by a consistently high quality of production, the result of an efficient training system developed by the traditional guilds and the Royal Academy of Painting and Sculpture, founded in 1648 by King Louis XIV. The National Gallery collection reflects this quality and diversity, featuring excellent examples by all the leading painters: ideal landscapes by Claude Lorrain and biblical subjects by Nicolas Poussin, two artists who spent most of their careers in Rome; deeply moving religious works by La Tour, Sà bastien Bourdon, and Simon Vouet; portraits of the grandest format (Philippe de Champaigne's Omer Talon) and the most intimate (Nicolas de Largillierre's Elizabeth Throckmorton); and familiar scenes of daily life by the Le Nain brothers in the seventeenth century and Chardin in the eighteenth. The Gallery's collection is especially notable for its holdings of eighteenth-century painting, from Jean Antoine Watteau to Hubert Robert, and including marvelous suites of paintings by François Boucher and Fragonard. All these works are explored in detailed, readable entries that will appeal as much to the general art lover as to the specialist.…
Seller Inventory # 101513
- Title
- French Paintings of the Fifteenth through the Eighteenth Century
- Author
- Conisbee, Philip; Richard Rand; Joseph Baillio; Gail Feigenbaum; Frances Gage; John Oliver Hand
- Publisher
- Princeton University Press
- Publication year
- 2010
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0691145350
- ISBN 13
- 9780691145358
Georges de La Tour's haunting depiction of a repentant Mary Magdalen gazing into a mirror by candlelight; Jean Siméon Chardin's perfectly balanced image of a young boy making a house of cards; Jean Honoré Fragonard's monumental suite of landscapes showing aristocrats at play in picturesque gardens--these are among the familiar and beloved masterpieces in the National Gallery of Art, which houses one of the most important collections of French old master paintings outside France. This lavishly illustrated book, written by leading scholars and the result of years of research and technical analysis, catalogues nearly one hundred paintings, from works by François Clouet in the sixteenth century to paintings by élisabeth Louise Vigée Le Brun in the eighteenth.
French art before the revolution is characterized by an astonishing variety of styles and themes and by a consistently high quality of production, the result of an efficient training system developed by the traditional guilds and the Royal Academy of Painting and Sculpture, founded in 1648 by King Louis XIV. The National Gallery collection reflects this quality and diversity, featuring excellent examples by all the leading painters: ideal landscapes by Claude Lorrain and biblical subjects by Nicolas Poussin, two artists who spent most of their careers in Rome; deeply moving religious works by La Tour, Sébastien Bourdon, and Simon Vouet; portraits of the grandest format (Philippe de Champaigne's Omer Talon) and the most intimate (Nicolas de Largillierre's Elizabeth Throckmorton); and familiar scenes of daily life by the Le Nain brothers in the seventeenth century and Chardin in the eighteenth. The Gallery's collection is especially notable for its holdings of eighteenth-century painting, from Jean Antoine Watteau to Hubert Robert, and including marvelous suites of paintings by François Boucher and Fragonard. All these works are explored in detailed, readable entries that will appeal as much to the general art lover as to the specialist.
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