FERNANDO DE ROJAS AND THE RENAISSANCE VISION. PHANTASM, MELANCHOLY AND DIDACTICISM IN "CELESTINA"
Language: English
Published by PENNSYLVANIA STATE UNIVERSITY PRESS, UNIVERSITY PARK, PA, 2000
- Softcover
- New
Seller: Pórtico [Portico], ZARAGOZA, Z, SpainPórtico [Portico]
AbeBooks seller since November 30, 2011
Condition: New
£ 56.24
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Add to basketItem description from seller
CASTELLS, R.: FERNANDO DE ROJAS AND THE RENAISSANCE VISION. PHANTASM, MELANCHOLY AND DIDACTICISM IN "CELESTINA". UNIVERSITY PARK, PA, 2000, ix 125 p. , 365 gr. Encuadernacion original. Nuevo. (NC-O-1) 365 gr.
Seller Inventory # 279083
- Title
- FERNANDO DE ROJAS AND THE RENAISSANCE VISION. PHANTASM, MELANCHOLY AND DIDACTICISM IN "CELESTINA"
- Author
- CASTELLS, R.
- Publisher
- PENNSYLVANIA STATE UNIVERSITY PRESS, UNIVERSITY PARK, PA
- Publication year
- 2000
- Condition
- New
- Book Type
- Libro
- Binding
- Tapa blanda
- Language
- English
- ISBN 10
- 0271019840
- ISBN 13
- 9780271019840
- Item weight
- 365 grams
- Seller catalogs
- Literatura hispanica
The late medieval masterpiece Celestina has long been the focus of controversy, over both its authorship and the apparent contradictions and inconsistencies within its plot. Scholars trace the publication of Celestina to 1499, when Fernando de Rojas supposedly discovered the first act and completed the remainder of the drama within a two-week period. The plot centers on the ill-fated love of Calisto and Melibea and the fascinating character of the old bawd, Celestina. Scholars disagree about how to interpret the meeting of the two lovers in the first scene, when they share an unusual conversation that is incongruous with their comportment in the remainder of the work. Ricardo Castells seeks to resolve this and other seeming contradictions by tracing the oneiric, phantasmal, and melancholic traditions of the Renaissance and their effect on the composition of Celestina. Castells explores the European cultural and literary tradition―works of both fiction and nonfiction that would have been available to Rojas―to discover theoretical approaches to the physiology of lovesickness and its accompanying dreams and visions. He employs the themes of love, medicine, and dreams in these works to explain the seemingly illogical progression of the play’s action and the ultimately detrimental effects of melancholy, lovesickness, and sensual contamination on the protagonist, Calisto. In so doing, Castells places Celestina within its appropriate cultural and historical context, enriching our perception not only of the text itself but also of the traditions that helped to produce it.
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Pórtico [Portico]
ZARAGOZA, Z, Spain
AbeBooks seller since November 30, 2011
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| Item | 10 to 20 business days | 2 to 10 business days |
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Pórtico librerías, fundada en 1945, es una librería especializada en humanidades que edita con regularidad catálogos bibliográficos que se envían a investigadores e instituciones de todo el mundo.
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