Otto Dix und die Schweiz
Scheidegger & Spiess
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Otto Dix (1891-1969) is considered one of the most significant German artists of the 20th century. Because of his dedicated realism abused by the National Socialists, he lost his professorship at the Dresden Art Academy in 1933, his works were considered "degenerate art" and could no longer be exhibited. Dix retreated to Lake Constance near the Swiss border and created between 1934 and 1945 mainly landscape pictures, which convey discomfort in time as an expression of an "inner emigration" with their almost eerie emptiness.
Switzerland was an important reference point in Otto Dix's painterly and drawing-like work in the 1930s. The artist's artistic and biographical connections to Switzerland have been barely noticed so far. This volume now deals with the subject in depth for the first time. The contributions illuminate contemporary exhibitions in Zurich and Schaffhausen and works sales in that economically and politically burdened time. At the centre are works by Otto Dix, which were created at the end of the 1930s during a longer spa stay in the Engadine.
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