DSLR Cinema: Crafting the Film Look with Video
Kurt Lancaster
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Quantity: 3 available
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Video-capable DSLR cameras give filmmakers a quality previously impossible without high-end cinema cameras. Exploring the cinematic quality and features offered by hybrid DSLRs, this book empowers the filmmaker to craft visually stunning images inexpensively.
Learn to think more like a cinematographer than a videographer, whether shooting for a feature, short fiction, documentary, video journalism, or even a wedding. DSLR Cinema offers insight into different shooting styles, real-world tips and techniques, and advice on postproduction workflow as it guides you in crafting a film-like look.
Case studies feature an international cast of cutting edge DSLR shooters today, including Philip Bloom (England), Bernardo Uzeda (Brazil), Rii Schroer (Germany), Jeremy Ian Thomas (United States), Shane Hurlbut, ASC (United States), and Po Chan (Hong Kong). Their films are examined in detail, exploring how each exemplifies great storytelling, exceptional visual character, and how you can push the limits of your DSLR.
Kurt Lancaster has shot documentaries that have screened nationally and internationally. He has also consulted for the Pulitzer Prize winning newspaper, The Christian Science Monitor, training some of their print journalists in video journalism, as well as shooting and editing documentary journalism pieces. He is also an assistant professor of digital media in the School of Communication at Northern Arizona University, where he teaches courses on documentary multimedia production, scriptwriting, and production techniques. Kurt earned his PhD from New York University. His students have gone on to earn video journalism awards, screen documentaries at film festivals, as well as creating independent video companies.
Dr. Lancaster's essays and articles on journalism, popular culture, performance, and communication have appeared in the International Journal of Communication, the Performing Arts Journal, Modern Drama, Journal of Popular Culture, Journal of American Culture, and The Christian Science Monitor.
His previous books include:
The Documentary Journalist: The Art and Craft of Video Journalism for the Web.
Building a Home Movie Studio and Getting Your Films Online (Watson Guptill, 2002).
Warlocks & Warpdrive: Contemporary Fantasy Entertainments with Interactive and Virtual Environments (McFarland, 1999).
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