Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century (Dover Books On Music: Analysis)

Jeppesen, Knud

ISBN 10: 048627036X / ISBN 13: 9780486270364

Published by Dover Publications, 1992

The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing. Seller Inventory # BSM.11J39

Synopsis:

This classic introductory text focuses on the polyphonic vocal style perfected by Palestrina. Unlike many other texts, it maintains a careful balance between theoretical and practical problems, between historical and systematic methodology. The result is an exceptionally useful resource, ideal for classroom use in teaching modal counterpoint.

Unabridged Dover (1992) republication of the edition published by Prentice Hall, Inc. New York, 1939. Translated by Glen Haydon. New foreword by Alfred Mann.

From the Back Cover: This classic introductory text focuses on the polyphonic vocal style perfected by Palestrina. Unlike many other texts, it maintains a careful balance between theoretical and practical problems, between historical and systematic methodology. The result is an exceptionally useful resource, ideal for classroom use in teaching modal counterpoint.
In Part One, Knud Jeppesen (1892 1974), the world-renowned musicologist and leading authority on Palestrina, offers a superb outline history of contrapuntal theory. He begins by exploring the beginnings of contrapuntal theory from the ninth to the fourteenth centuries. This is followed by separate discussions of each succeeding century, the styles of Palestrina and Bach, the "Palestrina Movement" after Fux, and more. The section ends with illuminating coverage of notation, the ecclesiastical modes, melody, and harmony.
The second part of the book contains an extended treatment of "species" counterpoint in two, three, and four parts, as well as counterpoint in more than four parts, and specific discussions of the canon, the motet, and the Mass. Throughout, the text is generously supplied with musical examples exercises, solutions, and illustrations, including many by the great composers. For this edition, the distinguished scholar Alfred Mann has contributed a new foreword to Jeppesen's classic study. Now available in paperback for the first time, it will be welcomed by musicians, composers, theorists, musicologists any student of counterpoint and the Western musical tradition.
Unabridged Dover (1992) republication of the edition published by Prentice-Hall, Inc., New York, 1939."

Bibliographic Details

Title: Counterpoint: The Polyphonic Vocal Style of ...
Publisher: Dover Publications
Publication Date: 1992
Binding: Soft cover
Condition: good