Synopsis
From what is said in the Introduction to the Monastery, it must necessarily be inferred, that the Author considered that romance as something very like a failure. It is true, the booksellers did not complain of the sale, because, unless on very felicitous occasions, or on those which are equally the reverse, literary popularity is not gained or lost by a single publication. Leisure must be allowed for the tide both to flow and ebb. But I was conscious that, in my situation, not to advance was in some Degree to recede, and being naturally unwilling to think that the principle of decay lay in myself, I was at least desirous to know of a certainty, whether the degree of discountenance which I had incurred, was now owing to an ill-managed story, or an ill-chosen subject.
Review
The volumes have been carefully and critically edited from the original manuscripts and now the texts, which in each case capture large numbers of readings never before printed and clear away elements of corruption in existing editions, are as close to what Scott originally wrote as the skills of the editorial team can make them. It is a pleasure to acknowledge the appearance of two more volumes in the new critical Edinburgh Edition of the Waverley Novels ! both volumes are truly impressive jobs of scholarly editing, and they are handsomely designed and printed. Christopher Johnson, who works in the House of Lords, has produced a magisterial edition of the neglected novel as part of the Edinburgh Edition of the Waverley Novels ! In short, this addition to The Edinburgh Edition of the Waverley Novels is remarkable value. Christopher Johnson's edition of The Abbot should be in every library collecting material on the great Sir Walter Scott and on Scottish-English relationships. Highly recommended. -- Professor William Baker, Northern Illinois University The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary ! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of composition and his financial manoeuvres. This edition is for anyone who takes Scott seriously. The volumes have been carefully and critically edited from the original manuscripts and now the texts, which in each case capture large numbers of readings never before printed and clear away elements of corruption in existing editions, are as close to what Scott originally wrote as the skills of the editorial team can make them. It is a pleasure to acknowledge the appearance of two more volumes in the new critical Edinburgh Edition of the Waverley Novels ! both volumes are truly impressive jobs of scholarly editing, and they are handsomely designed and printed. Christopher Johnson, who works in the House of Lords, has produced a magisterial edition of the neglected novel as part of the Edinburgh Edition of the Waverley Novels ! In short, this addition to The Edinburgh Edition of the Waverley Novels is remarkable value. Christopher Johnson's edition of The Abbot should be in every library collecting material on the great Sir Walter Scott and on Scottish-English relationships. Highly recommended. The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary ! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of composition and his financial manoeuvres. This edition is for anyone who takes Scott seriously.
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