As far as interaction with screens is concerned, the given technology of particular interactive devices entails an ambiguous status of screens: what is shown on the screen has to do with how one interacts with it, that is, we can almost literally see what we are doing. This study is devoted to a theoretical exploration of intersections between mobility and visuality from a historical-comparative perspective, addressing the mobility of visual experience and the screen-based access to such experiences in a range of case studies. The author develops the concept through five chapters and analyzes a variety of contemporary screen technologies and the cultural practices involving these screen-based configurations - the ways in which we engage with screens as interfaces with spatial, temporal, and haptic experiences.
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Nanna Verhoeff is Professor of Screen Cultures and Society in the Department of Media and Culture Studies of the Faculty of Humanities at Utrecht University. She dedicates her research both to the comparative study of screen media, and to the development of methods and concepts for the creative humanities. Previous publications include The West in Early Cinema: After the Beginning and Mobile Screens: The Visual Regime of Navigation – both published with Amsterdam University Press. This current book on urban screens completes this trilogy, which proposes methods and concepts for comparing and analyzing screen media across times and places.
As far as interaction with screens is concerned, the given technology of particular interactive devices entails an ambiguous status of screens: what is shown on the screen has to do with how one interacts with it, that is, we can almost literally see what we are doing. This study is devoted to a theoretical exploration of intersections between mobility and visuality from a historical-comparative perspective, addressing the mobility of visual experience and the screen-based access to such experiences in a range of case studies.The author develops the concept through five chapters and analyzes a variety of contemporary screen technologies and the cultural practices involving these screen-based configurations – the ways in which we engage with screens as interfaces with spatial, temporal, and haptic experiences.
As far as interaction with screens is concerned, the given technology of particular interactive devices entails an ambiguous status of screens: what is shown on the screen has to do with how one interacts with it, that is, we can almost literally see what we are doing. This study is devoted to a theoretical exploration of intersections between mobility and visuality from a historical-comparative perspective, addressing the mobility of visual experience and the screen-based access to such experiences in a range of case studies.The author develops the concept through five chapters and analyzes a variety of contemporary screen technologies and the cultural practices involving these screen-based configurations the ways in which we engage with screens as interfaces with spatial, temporal, and haptic experiences.
"About this title" may belong to another edition of this title.
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized. Seller Inventory # M9089643796Z4
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
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Seller: BWS BKS, Ferndale, NY, U.S.A.
Paperback. Condition: New. Our interactions with screens have changed profoundly over the past several decadesā" from the development of mobile devices to the continued importance of digital technology, the intersection of mobility and visuality is a fascinating and timely subject for study. Looking at the cultural practices that ground our relationship with screens, Nanna Verhoeff offers a historical and comparative approach to screen-based media and digital culture. This smart, sharp addition to the field of media studies focuses on the innovation and transformation of mobile, urban, and location-based screens.An important work for scholars who study technology, geography, and art, Mobile Screens offers a powerful look at the emergent visual culture of navigation and the way in which we engage with screens as part of our spatial, temporal, and tangible experiences of the world. Seller Inventory # 98771