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Synopsis
As early as 1839, the reproduction of art works was regarded as a primary subject for photography. Far from being neglected by the pioneer photographers, it was a major stake for the most talented among them, from William Fox Talbot to Gustave Le Gray, Charles Marville and Pierre-Ambroise Richebourg. The marketing of photographic reproductions of art works from the 1850s onwards played a key role in the history of taste. A study of this genre long overlooked by historians proves to be highly rewarding.
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About the Author
Dominique de Font-Reauix is a curator at the Musee d'Orsay and head of the photography section. She teaches at the Ecole du Louvre.
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The Work of Art and Its Reproduction (Photography at the Mus?e D'Orsay)
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The Work of Art and Its Reprod
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The Work of Art and Its Reproduction (Photography at the Mus?e D'Orsay)
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The Work of Art and Its Reproduction (Photography at the Mus?e DO
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The Work of Art and Its Reproduction (Photography at the Mus?e D'Orsay)
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The Work of Art and Its Reproduction
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THE WORK OF ART AND ITS REPRODUCTION
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Softcover. Condition: Fine. Sepia and some color photos. ; 16mo 6" - 7" tall; 96 pp; Photography At The Mus? E D'orsay. Seller Inventory # 42573
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The Work of Art and Its Reproduction
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Paperback. Condition: New. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 96 pp. ; 63 ills. -- with a bonus offer--; Art and its Photographic Reproduction presents a selection of photographs, ranging from daguerreo types to auto chromes, from the collection of the Musee d'Orsay, Paris. Seller Inventory # 90628