Beginning in 1965, but especially in the years between 1967 and 1971, Lewis Baltz made a body of work concentrated on the dialectic between simple, regular geometric forms found in the postwar industrial landscape, and the culture that generated such forms. Stucco walls, parking lots, the sides of warehouse sheds or disused billboards baked in the steady Californian sunlight. Baltz called his works Prototypes, by which he meant replicable social conventions as well as model structures of replicable manufacture. Marking Baltzs preliminary forays into a minimal aesthetic, The Prototype Works continued his work to capture the reality of a sprawling Western ecology gone wild. Lewis Baltzs works have been the subject of over fifty one person exhibitions. Seventeen monographs have been published on his work. He came to prominence as a part of the New Topography movement of the 1970s. Baltz studied at the San Francisco Art Institute and received a Master of Fine Arts from Claremont Graduate School in 1971. He is currently based in Paris and Venice.
"synopsis" may belong to another edition of this title.
Beginning in 1965, but especially in the years between 1967 and 1971, Lewis Baltz made a body of work concentrated on the dialectic between simple, regular geometric forms found in the postwar industrial landscape, and the culture that generated such forms. Stucco walls, parking lots, the sides of warehouse sheds or disused billboards baked in the steady Californian sunlight. Baltz called his works "Prototypes," by which he meant replicable social conventions as well as model structures of replicable manufacture.Marking Baltz's preliminary forays into a minimal aesthetic, The Prototype Works continued his work to capture the reality of a sprawling Western ecology gone wild.
"About this title" may belong to another edition of this title.
Seller: Weston's Book Haven, Weston-super-Mare, United Kingdom
Hardcover. Condition: Good. Cover has a few bumps / dents ALL ORDERS TO THE EU OVER ?150 REQUIRE AN ADDITIONAL CHARGE TO COVER IMPORT COSTS. Import costs are generally 6-15% of the order value. We will contact you before accepting the order. Orders will be rejected if the additional charge is not accepted. Seller Inventory # PROWOR-032026-061
Quantity: 1 available
Seller: Antiquariat am St. Vith, Mönchengladbach, Germany
Leinen. Dust Jacket Condition: mit Schutzumschlag. First edition. 27,5 x 29 cm. Leinen mit Schutzumschlag. Sprache: Englisch, Mit zahlr. schw.-w. Abb. sehr gutes Exemplar. LMEX. Seller Inventory # 78009
Seller: Studio Bibliografico Marini, ROMA, RM, Italy
hardcover. Condition: Perfetto (Mint). Prima edizione (First Edition). Fotografie in bianco e nero di Lewis Baltz . m 27,5x28,5. pp. 188. . Perfetto (Mint). . Prima edizione (First Edition). . A partire dal 1965, ma soprattutto negli anni tra il 1967 e il 1971, Lewis Baltz ha realizzato un corpus di opere concentrate sulla dialettica tra le forme geometriche semplici e regolari presenti nel paesaggio industriale del dopoguerra e la cultura che ha generato tali forme. Muri stuccati, parcheggi, capannoni o cartelloni pubblicitari in disuso si cuociono insieme sotto il sole californiano. Baltz chiamava le sue opere "Prototipi", intendendo con questo termine le convenzioni sociali replicabili e le strutture modello di fabbricazione replicabili. Segnando le incursioni preliminari di Baltz in un'estetica minimale, The Prototype Works continua il suo lavoro per catturare la realtà di un'ecologia occidentale tentacolare e selvaggia. Book. Seller Inventory # bc_231991
Seller: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Germany
Hardcover. Condition: gut. 2011. The Prototype Works. Lewis Baltz. This revised edition has been published on the occasion of exhibitions at the Art Institute of Chicago and the National Gallery of Art, Washington. In deutscher Sprache. pages. Seller Inventory # BN392509
Seller: BWS BKS, Ferndale, NY, U.S.A.
Hardcover. Condition: New. Beginning in 1965, but especially in the years between 1967 and 1971, Lewis Baltz made a body of work concentrated on the dialectic between simple, regular geometric forms found in the postwar industrial landscape, and the culture that generated such forms. Stucco walls, parking lots, the sides of warehouse sheds or disused billboards baked in the steady Californian sunlight. Baltz called his works "Prototypes," by which he meant replicable social conventions as well as model structures of replicable manufacture.Marking Baltz's preliminary forays into a minimal aesthetic, The Prototype Works continued his work to capture the reality of a sprawling Western ecology gone wild. Seller Inventory # 93708