This book will for the first time enable Ernest Cole to be seen in the perspective of international photography where he surely deserves an honoured place, not simply for his remarkable courage and determination in the face of state oppression but for the perceptiveness of his seeing eye and his ability to put what he saw into photographs of remarkable rigour, subtlety and elegance. These qualities were often subordinated to the need for the strongest possible anti-apartheid statement in his acclaimed book House of Bondage, published in 1967. Many of the photographs have never been published before and others, which were cropped in the book for their maximum political effect, will now be seen un-cropped for the first time. Ernest Cole the Photographer accompanies an exhibition with the same title, produced by the Hasselblad Foundation. Ernest Cole, born 1940 in Eersterust, South Africa, started working as an assistant at Drum magazine in 1958. As a freelance photographer he began his seminal essay on what it meant to be black under apartheid in 1959. In 1966 he left his country with the dream of making a book that he knew was impossible to do in South Africa. House of Bondage, published in 1967, was immediately banned in South Africa, and so was he. He died in exile, in New York in 1990. Co-published with Hasselblad Foundation, Gothenburg. Exhibitions: Johannesburg Art Gallery, September 19 2010 till the end of the year; South African National Gallery, Cape Town, early 2011.
"synopsis" may belong to another edition of this title.
Seller: JERO BOOKS AND TEMPLET CO., SANTA MONICA, CA, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. First edition (2010.) Hardcover with dust jacket. Square 8vo with 263 pages. The book is in good to very good condition, some faint underlining in pencil on a few page and very faint marks to the bottom of some pages (publisher marks?) otherwise the interior is clean and tight. The dust jacket is in good to very good condition with very slight shelf wear to some edges of dust jacket. A couple of very faint marks to the front and back panels of dust jacket. Profusely illustrated! Pictures available upon request. "This book is a beautifully produced,wonderfully well edited testament to the man, his art--- and to the homicidal,soul-killing degradation that he and his fellow,black South Africans endured." Gray spine/Black text. Size: Square 8vo. Photography / South Africa. Seller Inventory # 035458
Seller: Burwood Books, Wickham Market, United Kingdom
Hardcover. Condition: Fine. First Edition. Hardback. Dust Jacket. Oblong 4to. 265 mms by 245. pp 263 Original publisher's black cloth lettered gilt at the spine. Copiously illustrated in black and white throughout. "This book is a beautifully produced,wonderfully well edited testament to the man, his art--- and to the homicidal,soul-killing degradation that he and his fellow,black South Africans endured." Fine in fine dust jacket. Seller Inventory # C106136
Quantity: 1 available
Seller: Antiquariat Hennwack, Berlin, Germany
Condition: Sehr gut. 1. edition. Quer-4to. 263 S. überw. Ill. OLn. mit OSchU. Umschlag und Einband minimal berieben, sonst sehr guter Zustand. Seller Inventory # 43259AB
Seller: BWS BKS, Ferndale, NY, U.S.A.
Hardcover. Condition: New. This book will for the first time enable Ernest Cole to be seen in the perspective of international photography where he surely deserves an honoured place, not simply for his remarkable courage and determination in the face of state oppression but for the perceptiveness of his seeing eye and his ability to put what he saw into photographs of remarkable rigour, subtlety and elegance. These qualities were often subordinated to the need for the strongest possible anti-apartheid statement in his acclaimed book House of Bondage, published in 1967. Many of the photographs have never been published before and others, which were cropped in the book for their maximum political effect, will now be seen un-cropped for the first time. Ernest Cole the Photographer accompanies an exhibition with the same title, produced by the Hasselblad Foundation. Ernest Cole, born 1940 in Eersterust, South Africa, started working as an assistant at Drum magazine in 1958. As a freelance photographer he began his seminal essay on what it meant to be black under apartheid in 1959. In 1966 he left his country with the dream of making a book that he knew was impossible to do in South Africa. House of Bondage, published in 1967, was immediately banned in South Africa, and so was he. He died in exile, in New York in 1990. Seller Inventory # 88660