These essays by critics, theorists and artists explore the allusive nexus of the dark in contemporary Mexican literature and visual culture. They chart the poetics of ‘negrura-oscuridad’ in creative media during decades of deepening crisis marked by the high-profile staging of atrocities, the re-emergence of an ironic noir aesthetic and the consolidation of forensically inspired art-making.
In the wake of Walter Benjamin’s ‘unfinished’ thinking structures, this volume operates through contiguous directions, transitions and regressions, incorporating images as part of the discussion of a ruinous visuality. Its polycentric mesh covers a wide range of art, writing, photography and film: from ritual uses of the ‘darksome’ and its legacies in pre-Hispanic cultures to colonial religious iconography of penitential blindness; from narco-noir in the novels of Roberto Bolaño and Yuri Herrera to techno-noir in dystopian border films; from the quotidian taxonomy of horror expurgated in art practice to the haunted ‘other darkness’ of the photographic blink. It also explores how we can contest the threat of dark ecology and ‘horrorism’ through sense expansion within new media and by positing fruitful blind spots in text and art.
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Erica Segre is Senior Lecturer in Latin American and Hispanic Studies and a Fellow of Trinity College at the University of Cambridge. She specializes in nineteenth-century Latin American literature, art and thought and twentieth-century and contemporary visual culture. She is the author of Intersected Identities: Strategies of Visualization in Nineteenth- and Twentieth-Century Mexican Culture (2007) and the editor of Ghosts of the Mexican Revolution in Mexican Literature and Visual Culture (2013).
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Seller: JuddSt.Pancras, London, United Kingdom
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Seller: Borkert, Schwarz und Zerfaß GbR, Berlin, Germany
Hardcover, 24 cm. Condition: Sehr gut. XVIII, 374 pp., 47 fig. b/w In very good condition. - Summary: These essays by critics, theorists and artists explore the allusive nexus of the dark in contemporary Mexican literature and visual culture. They chart the poetics of negrura-oscuridad in creative media during decades of deepening crisis marked by the high-profile staging of atrocities, the re-emergence of an ironic noir aesthetic and the consolidation of forensically inspired art-making. In the wake of Walter Benjamins unfinished thinking structures, this volume operates through contiguous directions, transitions and regressions, incorporating images as part of the discussion of a ruinous visuality. Its polycentric mesh covers a wide range of art, writing, photography and film: from ritual uses of the darksome and its legacies in pre-Hispanic cultures to colonial religious iconography of penitential blindness; from narco-noir in the novels of Roberto Bolaño and Yuri Herrera to techno-noir in dystopian border films; from the quotidian taxonomy of horror expurgated in art practice to the haunted other darkness of the photographic blink. It also explores how we can contest the threat of dark ecology and horrorism through sense expansion within new media and by positing fruitful blind spots in text and art. - Contents: Introduction: La negrura-oscuridad y su imagen: Rethinking the Poetics of Darkness and Noir Materials in Contemporary Writing and Visual Culture in Mexico -- 1 Proscenium of the Dark: Darkness and Liminality in Pre-Columbian Mesoamerica -- 2 Blindness, Darkness and the Penitential Religious Experience: Practices and Imagery from Flagellant Confraternal Contexts in Italy, Spain and New Mexico -- 3 Blink: A Path to the Other Darkness -- 4 Los materiales ajenos: Re-escritura, comunalidad y desapropiación [Estranged Materials: Re-writing, Commun ality and Dis-appropriation] -- 5 Escrituras comunalistas [On Communalistic Writing] -- 6 ¡Basta de luz!: Noir Configurations and Revelatory Darkness in Twenty-First-Century Mexican Fiction -- 7 Trabajos del poeta del reino: Dark Power and Art in Yuri Herrera and Octavio Paz -- 8 Oscuro artefacto de la memoria: Huecos, pliegues y cortes en Amuleto (1999) de Roberto Bolaño [Obscure Artefact of Memory: Gaps, Folds and Cuts in Roberto Bolaño's Amulet (1999)] -- 9 A Monument to the Unknown Worker: Roberto Bolaño's 2666 (2004) as Noir and as Installation -- 10 De estupidez y oscuridad: La sujeción y subversión en el cine y la literatura en México [Of Stupidity and Obscurity: Subjection and Subversion in Mexican Film and Literature] -- 11 Techno-Noir in the Borderlands: Alex Rivera's Sleep Dealer (2008) -- 12 Narco-Noir: A Quotidian Aesthetic Taxonomy of Expressive Violence -- 13 After Darkness: Sense-Expansion and the Aesthetics of New Media. ISBN 9783034322430 Sprache: Englisch Gewicht in Gramm: 734. Seller Inventory # 1153410
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Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -These essays by critics, theorists and artists explore the allusive nexus of the dark in contemporary Mexican literature and visual culture. They chart the poetics of 'negrura-oscuridad' in creative media during decades of deepening crisis marked by the high-profile staging of atrocities, the re-emergence of an ironic noir aesthetic and the consolidation of forensically inspired art-making. In the wake of Walter Benjamin's 'unfinished' thinking structures, this volume operates through contiguous directions, transitions and regressions, incorporating images as part of the discussion of a ruinous visuality. Its polycentric mesh covers a wide range of art, writing, photography and film: from ritual uses of the 'darksome' and its legacies in pre-Hispanic cultures to colonial religious iconography of penitential blindness; from narco-noir in the novels of Roberto Bolaño and Yuri Herrera to techno-noir in dystopian border films; from the quotidian taxonomy of horror expurgated in art practice to the haunted 'other darkness' of the photographic blink. It also explores how we can contest the threat of dark ecology and 'horrorism' through sense expansion within new media and by positing fruitful blind spots in text and art. 392 pp. Englisch. Seller Inventory # 9783034322430
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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. These essays explore the allusive nexus of the dark in contemporary Mexican literature and visual culture. They chart the poetics of negrura-oscuridad in creative media during decades of deepening crisis marked by the high-profile staging of atrocities an. Seller Inventory # 448687296
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Buch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -These essays by critics, theorists and artists explore the allusive nexus of the dark in contemporary Mexican literature and visual culture. They chart the poetics of ¿negrura-oscuridad¿ in creative media during decades of deepening crisis marked by the high-profile staging of atrocities, the re-emergence of an ironic noir aesthetic and the consolidation of forensically inspired art-making.In the wake of Walter Benjamin¿s ¿unfinished¿ thinking structures, this volume operates through contiguous directions, transitions and regressions, incorporating images as part of the discussion of a ruinous visuality. Its polycentric mesh covers a wide range of art, writing, photography and film: from ritual uses of the ¿darksome¿ and its legacies in pre-Hispanic cultures to colonial religious iconography of penitential blindness; from narco-noir in the novels of Roberto Bolaño and Yuri Herrera to techno-noir in dystopian border films; from the quotidian taxonomy of horror expurgated in art practice to the haunted ¿other darkness¿ of the photographic blink. It also explores how we can contest the threat of dark ecology and ¿horrorism¿ through sense expansion within new media and by positing fruitful blind spots in text and art. 392 pp. Englisch. Seller Inventory # 9783034322430
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - These essays by critics, theorists and artists explore the allusive nexus of the dark in contemporary Mexican literature and visual culture. They chart the poetics of 'negrura-oscuridad' in creative media during decades of deepening crisis marked by the high-profile staging of atrocities, the re-emergence of an ironic noir aesthetic and the consolidation of forensically inspired art-making. In the wake of Walter Benjamin's 'unfinished' thinking structures, this volume operates through contiguous directions, transitions and regressions, incorporating images as part of the discussion of a ruinous visuality. Its polycentric mesh covers a wide range of art, writing, photography and film: from ritual uses of the 'darksome' and its legacies in pre-Hispanic cultures to colonial religious iconography of penitential blindness; from narco-noir in the novels of Roberto Bolaño and Yuri Herrera to techno-noir in dystopian border films; from the quotidian taxonomy of horror expurgated in art practice to the haunted 'other darkness' of the photographic blink. It also explores how we can contest the threat of dark ecology and 'horrorism' through sense expansion within new media and by positing fruitful blind spots in text and art. Seller Inventory # 9783034322430
Seller: preigu, Osnabrück, Germany
Buch. Condition: Neu. México Noir | Rethinking the Dark in Contemporary Writing and Visual Culture | Erica Segre | Buch | Englisch | 2019 | Peter Lang | EAN 9783034322430 | Verantwortliche Person für die EU: Kolibri 360 GmbH, Ettore-Bugatti-Str. 6-14, 51149 Köln, produktsicherheit[at]kolibri360[dot]de | Anbieter: preigu Print on Demand. Seller Inventory # 117935822
Seller: Mispah books, Redhill, SURRE, United Kingdom
hardcover. Condition: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book. Seller Inventory # ERICA82930343224376