Seller: Encore Books, Montreal, QC, Canada
Hardcover. Condition: Very Good. Hardcover book in very good condition. Questions welcome. We ship internationally from the United States and Canada every week. If buying internationally, please be aware that additional charges may apply for heavier books. We guarantee a safe, quick, and secure transaction. 10+ years in online bookselling experience. Seller Inventory # 020146
Seller: Montreal Books, Westmount, QC, Canada
Hardcover. Condition: Near Fine. No Jacket. 1st Edition. Text in English. Slight shelfwear along front and back boards, otherwise Near Fine. Size: Folio - over 12 - 15" tall. Book. Seller Inventory # 508953
Seller: Outer Print, Richmond, VA, U.S.A.
Hardcover. Condition: Near Fine. 1st Edition. Near Fine oversized hardcover in illustrated boards. First Edition, First Printing. Overall a bright and attractive copy. Minor shelf wear to the rear cover, otherwise no signs of wear or aging. Color plates throughout. 203 pp. Seller Inventory # 004816
Seller: RZABASBOOKs, Toronto, ON, Canada
Hardcover. Condition: Very Good. No Jacket. A few small marks to covers. Seller Inventory # 017260
Seller: RPBooks, Champlain, NY, U.S.A.
Hardcover. Condition: Near Fine. No Jacket. 1st Edition. Text in English. Slight shelfwear along front and back boards, otherwise Near Fine. Size: Folio - over 12 - 15" tall. Book. Seller Inventory # 508953
Seller: Inkberry Books, Niwot, CO, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: No dust jacket. 201 pages : illustrations (chiefly color) ; 36 cm. Includes bibliographical references (page 201). Seller Inventory # 111678
Seller: Canadian Art Books, Toronto, ON, Canada
Hardcover. Condition: Fine. Tom Wesselmann (illustrator). 1st Edition. Tom Wesselmann (2012-05-25) Hardcover Wesselmanns retrospective at the Montreal Museum of Fine Arts in 2012, oversized making for extremely large reproductions, in some cases 20 inches in diameter when using two pages. Essays are provided by the director of the museum and numerous critics. Writing by Wesselmann himself, under the guise of Slim Stealingworth is included repeatedly, and chronologically, through Wesselmanns development. Wesselmann, writing on himself in the third person, is at once comical and insightful. His early work is interesting- we see the forms emerging- nudes barely forming a flat shape. And then these forms develop into female nudes, with the distractions of modern life crowding over and into them. Seller Inventory # 001110