FAERYLAND COMPANION - Hardcover

BEARICE PHILLPOTTS

Hardcover

ISBN 10: 1862051208 ISBN 13: 9781862051201

Publisher: Pavilion, 2010

Synopsis

From folk mythology and classical theatre to contemporary film and dance, the mischievous and playful fairy has fascinated mankind for thousands of years. These intriguing and ethereal creatures, with the myths and legends that surround them, have never ceased to provide inspiration for artists and illustrators. From Puck to Peter Pan, children and adults alike have never really stopped believing in fairies. The earliest religions and superstitions had spirits and hobgoblins symbolizing the forces of nature, or watching over human infidelities. Although based on earlier myths and traditions, Shakespeare's "A Midsummer Night's Dream" was a huge influence on the fantasies of generations of artists. Highly fashionable in the 18th century, fairy paintings were a foil for descreet eroticism in a time of prudity, and captured the spirit of national pride in their portrayal of an idealized English landscape. With the invention of photographic techniques came the opportunity to create realistic "spirit" photographs and elaborate hoaxes which captivated many respected figures. Accompanying the wide selection of bewitching paintings and engravings, fairy expert Beatrice Phillpotts follows the story of fairies from ancient mythology, through Shakespeare and Victorian art, to modern manifestations of fairy stories in the Disney films and beyond.

About this title

Review

The Faeryland Companion is a quite delightful art gallery of the faery world. Most art books on faeries are portfolios of the imagination and skill of a single artist; this, in contrast, draws on the work of dozens of different artists. Many are from the 19th and early 20th centuries; Arthur Rackham, as one might expect, features strongly, with some 15 paintings; other well-known artists, many of them Pre-Raphaelites, including Edward Robert Hughes, Sir Joseph Noel Patton, Richard Dadd, George Cruickshank, John Anster Fitzgerald, Arthur Hughes and Sir John Everett Millais. It is a shame that (presumably for copyright reasons) there are no illustrations by JRR Tolkien; but two of the famous Cottingley Fairy photographs are included.

Beatrice Phillpott's text, as well as being highly entertaining, is both informed and informative, drawing on mythology, folklore, literature, ballads and poetry, as well as referring to a vast array of art. She describes how the idea of faery has developed over the centuries, pointing out, for instance, that the idea of faeries being tiny and flowery rests almost entirely on Shakespeare's A Midsummer Night's Dream, then taken up by the Jacobean poets. Our present-day image of the faery world owes much to Victorian Romanticism; the prudery of the day was circumvented by portraying nude faeries in classical style.

A good art book is not just compiled or edited; it is designed, and credit must go to this book's designer, Bernard Higton, for creating a clear, clean and beautiful book, entirely in sympathy with its subject matter. My only criticisms are of the lack of an index to the text, and the decision not to identify titles and artists alongside the paintings, necessitating a trawl through the Acknowledgements page. But these are minor niggles in such as splendid book. --David V Barrett

Edition details

• Publisher: Pavilion
• Publication date: 2010
• Language: English
• ISBN 10: 1862051208
• ISBN 13: 9781862051201
• Binding: Hardcover
• Edition number: 1
• Number of pages: 96