New Jazz Conceptions: History, Theory, Practice (Warwick Series in the Humanities) - Hardcover

Hardcover

ISBN 10: 1848936095 ISBN 13: 9781848936096

Publisher: Routledge, 2016

Synopsis

New Jazz Conceptions: History, Theory, Practice is an edited collection that captures the cutting edge of British jazz studies in the early twenty-first century, highlighting the developing methodologies and growing interdisciplinary nature of the field. In particular, the collection breaks down barriers previously maintained between jazz historians, theorists and practitioners with an emphasis on interrogating binaries of national/local and professional/amateur. Each of these essays questions popular narratives of jazz, casting fresh light on the cultural processes and economic circumstances which create the music. Subjects covered include Duke Ellington’s relationship with the BBC, the impact of social media on jazz, a new view of the ban on visiting jazz musicians in interwar Britain, a study of Dave Brubeck as a transitional figure in the pages of Melody Maker and BBC2’s Jazz 625, the issue of ‘liveness’ in Columbia’s Ellington at Newport album, a musician and promoter's views of the relationship with audiences, a reflection on Philip Larkin, Kingsley Amis and Eric Hobsbawm as jazz critics, a musician’s perspective on the oral and generational tradition of jazz in a British context, and a meditation on Alan Lomax’s Mr. Jelly Roll, and what it tells us about cultural memory and historical narratives of jazz.

About this title

About the Author

Roger Fagge is an Associate Professor in History at the University of Warwick, UK.

Nicolas Pillai is a Research Fellow at Birmingham City University, UK.

Edition details

• Publisher: Routledge
• Publication date: 2016
• Language: English
• ISBN 10: 1848936095
• ISBN 13: 9781848936096
• Binding: Hardcover
• Edition number: 1
• Number of pages: 220
• Editor: Fagge Roger, Pillai Nicolas