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Propositions for Studio Inquiry: A Journey into Artists’ Studios (Artwork Scholarship: International Perspectives in Education) - Hardcover
Synopsis
This book examines an art studio as a way of thinking and learning through the lens of a cross-Canada journey into artists’ studios. Through examining studio visits and interviews with over 100 painters, and through the theoretical lens of new materialism, the studio is presented as a unique place of learning.
In the first section, ‘Studio as Place,’ the journey into artists’ studios is discussed as a form of subjective mapping. A studio is a part of an active and interconnected ecosystem and through artmaking the studio has the capacity to transport us elsewhere. In the second section, ‘Studio as Process,’ studio practice is discussed as emergent, performative, generative and in an ongoing state of ‘not knowing.’ The third section, ‘Studio as Material Thinking’ examines studio practice as affective, material and messy. The final section ‘Studio as Dialogue with the World,’ examines studio processes as relational, imaginative and responsive to our ongoing experiences.
To focus on possibilities and potentials rather than conclusions, and generativity rather than closure, the studio is presented through a series of propositions, drawn from ways the artists described their process. These propositions are speculative and highlight the endless possibilities and entanglements of making within the ever-changing ecology of the studio.
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About the Author
Alison Shields, Ph.D., is an assistant professor in art education at the University of Victoria. She has an MFA from the University of Waterloo and a Ph.D. from the University of British Columbia. Her current artistic and research practices examine studio processes, artistic inquiry and painting as learning.
Contact: University of Victoria, 3800 Finnerty Road, Victoria, BC, V8P5C2, Canada.
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Hardback. Condition: New. This book examines an art studio as a way of thinking and learning through the lens of a cross-Canada journey into artists' studios. Through examining studio visits and interviews with over 100 painters, and through the theoretical lens of new materialism, the studio is presented as a unique place of learning. In the first section, 'Studio as Place,' the journey into artists' studios is discussed as a form of subjective mapping. A studio is a part of an active and interconnected ecosystem and through artmaking the studio has the capacity to transport us elsewhere. In the second section, 'Studio as Process,' studio practice is discussed as emergent, performative, generative and in an ongoing state of 'not knowing.' The third section, 'Studio as Material Thinking' examines studio practice as affective, material and messy. The final section 'Studio as Dialogue with the World,' examines studio processes as relational, imaginative and responsive to our ongoing experiences. To focus on possibilities and potentials rather than conclusions, and generativity rather than closure, the studio is presented through a series of propositions, drawn from ways the artists described their process. These propositions are speculative and highlight the endless possibilities and entanglements of making within the ever-changing ecology of the studio. Seller Inventory # LU-9781835952795
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Hardcover. Condition: new. Hardcover. This book examines an art studio as a way of thinking and learning through the lens of a cross-Canada journey into artists studios. Through examining studio visits and interviews with over 100 painters, and through the theoretical lens of new materialism, the studio is presented as a unique place of learning. In the first section, Studio as Place, the journey into artists studios is discussed as a form of subjective mapping. A studio is a part of an active and interconnected ecosystem and through artmaking the studio has the capacity to transport us elsewhere. In the second section, Studio as Process, studio practice is discussed as emergent, performative, generative and in an ongoing state of not knowing. The third section, Studio as Material Thinking examines studio practice as affective, material and messy. The final section Studio as Dialogue with the World, examines studio processes as relational, imaginative and responsive to our ongoing experiences. To focus on possibilities and potentials rather than conclusions, and generativity rather than closure, the studio is presented through a series of propositions, drawn from ways the artists described their process. These propositions are speculative and highlight the endless possibilities and entanglements of making within the ever-changing ecology of the studio. Examining art studios as a way of thinking through a cross-Canada journey into over 100 painters studios. Drawn from ways artists described their process, the studio is presented as an active ecosystem wherein artmaking is emergent, performative, generative, material, speculative, messy and in dialogue with the world. 48 col, 127 b&w illus. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781835952795
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Hardcover. Condition: new. Hardcover. This book examines an art studio as a way of thinking and learning through the lens of a cross-Canada journey into artists studios. Through examining studio visits and interviews with over 100 painters, and through the theoretical lens of new materialism, the studio is presented as a unique place of learning. In the first section, Studio as Place, the journey into artists studios is discussed as a form of subjective mapping. A studio is a part of an active and interconnected ecosystem and through artmaking the studio has the capacity to transport us elsewhere. In the second section, Studio as Process, studio practice is discussed as emergent, performative, generative and in an ongoing state of not knowing. The third section, Studio as Material Thinking examines studio practice as affective, material and messy. The final section Studio as Dialogue with the World, examines studio processes as relational, imaginative and responsive to our ongoing experiences. To focus on possibilities and potentials rather than conclusions, and generativity rather than closure, the studio is presented through a series of propositions, drawn from ways the artists described their process. These propositions are speculative and highlight the endless possibilities and entanglements of making within the ever-changing ecology of the studio. Examining art studios as a way of thinking through a cross-Canada journey into over 100 painters studios. Drawn from ways artists described their process, the studio is presented as an active ecosystem wherein artmaking is emergent, performative, generative, material, speculative, messy and in dialogue with the world. 48 col, 127 b&w illus. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781835952795
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Hardback. Condition: New. This book examines an art studio as a way of thinking and learning through the lens of a cross-Canada journey into artists' studios. Through examining studio visits and interviews with over 100 painters, and through the theoretical lens of new materialism, the studio is presented as a unique place of learning. In the first section, 'Studio as Place,' the journey into artists' studios is discussed as a form of subjective mapping. A studio is a part of an active and interconnected ecosystem and through artmaking the studio has the capacity to transport us elsewhere. In the second section, 'Studio as Process,' studio practice is discussed as emergent, performative, generative and in an ongoing state of 'not knowing.' The third section, 'Studio as Material Thinking' examines studio practice as affective, material and messy. The final section 'Studio as Dialogue with the World,' examines studio processes as relational, imaginative and responsive to our ongoing experiences. To focus on possibilities and potentials rather than conclusions, and generativity rather than closure, the studio is presented through a series of propositions, drawn from ways the artists described their process. These propositions are speculative and highlight the endless possibilities and entanglements of making within the ever-changing ecology of the studio. Seller Inventory # LU-9781835952795
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Propositions for Studio Inquiry (Hardcover)
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Hardcover. Condition: new. Hardcover. This book examines an art studio as a way of thinking and learning through the lens of a cross-Canada journey into artists studios. Through examining studio visits and interviews with over 100 painters, and through the theoretical lens of new materialism, the studio is presented as a unique place of learning. In the first section, Studio as Place, the journey into artists studios is discussed as a form of subjective mapping. A studio is a part of an active and interconnected ecosystem and through artmaking the studio has the capacity to transport us elsewhere. In the second section, Studio as Process, studio practice is discussed as emergent, performative, generative and in an ongoing state of not knowing. The third section, Studio as Material Thinking examines studio practice as affective, material and messy. The final section Studio as Dialogue with the World, examines studio processes as relational, imaginative and responsive to our ongoing experiences. To focus on possibilities and potentials rather than conclusions, and generativity rather than closure, the studio is presented through a series of propositions, drawn from ways the artists described their process. These propositions are speculative and highlight the endless possibilities and entanglements of making within the ever-changing ecology of the studio. Examining art studios as a way of thinking through a cross-Canada journey into over 100 painters studios. Drawn from ways artists described their process, the studio is presented as an active ecosystem wherein artmaking is emergent, performative, generative, material, speculative, messy and in dialogue with the world. 48 col, 127 b&w illus. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9781835952795
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