Synopsis
The Performing Observer is a collection of short, critical writings on contemporary art, performance, and photography written over the course of the past two decades. These texts were originally published in a variety of settings, including art magazines and exhibition catalogues, online journals and websites.
A wide range of global practitioners are analysed, from emerging to established artists. As the title suggests, Patrick feels that he is simultaneously performing a role while observing and writing about the field. The intention is to present a well-informed but jargon free survey of many significant developments in contemporary art and culture. Among the artists discussed are: Francis Alÿs, Laurie Anderson, Chris Burden, William Eggleston, Cindy Sherman, and Andy Warhol.
The book examines an important series of interconnected contemporary art practices. Layering writings on performance-based work, material forms and photography, it positions performance within a larger context. The artists selected are genuinely international with a strong focus on the southern hemisphere, and are grouped together in sections Patrick calls Performance, Photography, Publicness, Video, Books and Exhibitions.
It aims to make sense of a specific modality of art making with an interesting - and to a degree unspoken - interest in art writing itself. Both elements are compelling separately but especially so together.
Accessibly written and especially approachable for a range of interested readers. It offers scholarly and critical depth while retaining a writing style that will appeal beyond a strictly scholarly audience. It will appeal to readers closely involved in contemporary art theory and practice, whether students, artists, academics or simply curious to know more.
"synopsis" may belong to another edition of this title.
About the Author
Martin Patrick, an art critic and historian, is Senior Lecturer of Critical Studies at Massey University in Wellington, New Zealand. His writings have appeared in publications including Afterimage, Art Journal, Art Monthly, and Third Text. He has taught as a Visiting Assistant Professor at the University of Chicago. Two of his essays were included in One Day Sculpture (Cross and Doherty
(eds) 2009), and he is currently working on a book that examines artists who engage with the art/life divide.
"About this title" may belong to another edition of this title.
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Paperback. Condition: New. The Performing Observer is a collection of short, critical writings on contemporary art, performance, and photography written over the course of the past two decades. These texts were originally published in a variety of settings, including art magazines and exhibition catalogues, online journals and websites.A wide range of global practitioners are analysed, from emerging to established artists. As the title suggests, Patrick feels that he is simultaneously performing a role while observing and writing about the field. The intention is to present a well-informed but jargon free survey of many significant developments in contemporary art and culture. Among the artists discussed are: Francis Alÿs, Laurie Anderson, Chris Burden, William Eggleston, Cindy Sherman, and Andy Warhol.The book examines an important series of interconnected contemporary art practices. Layering writings on performance-based work, material forms and photography, it positions performance within a larger context. The artists selected are genuinely international with a strong focus on the southern hemisphere, and are grouped together in sections Patrick calls Performance, Photography, Publicness, Video, Books and Exhibitions.It aims to make sense of a specific modality of art making with an interesting - and to a degree unspoken - interest in art writing itself. Both elements are compelling separately but especially so together.Accessibly written and especially approachable for a range of interested readers. It offers scholarly and critical depth while retaining a writing style that will appeal beyond a strictly scholarly audience. It will appeal to readers closely involved in contemporary art theory and practice, whether students, artists, academics or simply curious to know more. Seller Inventory # LU-9781789386745
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Paperback. Condition: new. Paperback. Twenty years of writing on art, performance, and photography. This collection of short, critical writings on contemporary art, performance, and photography analyzes a wide range of global practitioners, from emerging to established artists. The result is a well-informed, jargon-free survey of significant developments in contemporary art and culture over the past two decades. Among the artists discussed are Francis Alys, Laurie Anderson, Chris Burden, William Eggleston, Cindy Sherman, and Andy Warhol. The subject area examines an important series of interconnected contemporary art practices. Comprising writings on performance-based work, material forms, and photography, the book locates performance within a broader art context. Approachable for a wide audience, it provides scholarly and critical depth along with an accessible writing style. It will particularly appeal to readers closely involved in contemporary art theory and practice, whether students, artists, or academics. Collection of short, critical writings on contemporary art, performance, and photography written over the course of two decades. These include essays and interviews, profiles and reviews. They were originally published in a variety of settings, including art magazines and exhibition catalogues, online journals and websites. 49 b&w illus. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781789386745