Synopsis
Unlike other books on architecture and film, Architecture Filmmaking investigates how the now-expanded field of architecture utilizes the practice of filmmaking (feature/short film, stop motion animation and documentary) or video/moving image in research, teaching and practice, and what the consequences of this interdisciplinary exchange are. While architecture and filmmaking have clearly distinct disciplinary outputs and filmmaking is a much younger art than architecture, the intersection between them is less defined. This book investigates the ways in which architectural researchers, teachers of architecture, their students and practising architects, filmmakers and artists are using filmmaking uniquely in their practice.
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About the Authors
Igea Troiani is a trained architect, academic and filmmaker who is a professor of architecture at the University of Plymouth. She graduated from the Royal Melbourne Institute of Technology and since 1996 has taught research-led design and history and theory in schools of architecture in Australia, China and the United Kingdom. Igea produces books and publications, buildings, art exhibitions and architectural films as research outputs. Working mostly in academia now she uses exhibitions as a mode of research and dissemination, writes theory as film and makes films on architectural production under her production company Caryatid Films. She is founder and editor-in-chief of the interdisciplinary, award-winning journal Architecture and Culture that publishes exploratory research that is purposively imaginative rigorously speculative, visually and verbally stimulating.
Hugh Campbell is Professor of Architecture at University College Dublin where he is Head of the School of Architecture. He is currently leading a HEA-funded project to develop the relationship between the National College of Art and Design and UCD.
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