A three-volume project tracing key critical positions, people and institutions in Australian film, Australian Film Theory and Criticism interrogates not only the origins of Australian film theory but also its relationships to adjacent disciplines and institutions. The second volume in the series, this book gathers interviews with national and international film theorists and critics to chart the development of different discourses in Australian film studies through the decades. Seeking to examine the position of film theorists and their relationship to film industry practitioners and policy makers, this volume succeeds mightily in reasserting Australian film’s place on the international scholarly agenda.
"synopsis" may belong to another edition of this title.
Noel King is an independent scholar.
Deane Williams is Associate Professor, Film and Television Studies at Monash University, Melbourne. He has published widely on realist film including Australian film history and documentary film history.
"About this title" may belong to another edition of this title.
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Paperback. Condition: New. A three-volume project tracing key critical positions, people and institutions in Australian film, Australian Film Theory and Criticism interrogates not only the origins of Australian film theory but also its relationships to adjacent disciplines and institutions. The second volume in the series, this book gathers interviews with national and international film theorists and critics to chart the development of different discourses in Australian film studies through the decades. Seeking to examine the position of film theorists and their relationship to film industry practitioners and policy makers, this volume succeeds mightily in reasserting Australian film's place on the international scholarly agenda. Seller Inventory # LU-9781783200375
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Paperback. Condition: new. Paperback. A three-volume project tracing key critical positions, people, and institutions in Australian film, Australian Film Theory and Criticism interrogates not only the origins of Australian film theory but also its relationships to adjacent disciplines and institutions. The second volume in the series, this book gathers interviews with national and international film theorists and critics to chart the development of different discourses in Australian film studies through the decades. Seeking to examine the position of film theorists and their relationship to film industry practitioners and policy makers, this volume succeeds mightily in reasserting Australian films place on the international scholarly agenda. Tracing key critical positions, people, and institutions in Australian film, this book interrogates not only the origins of Australian film theory but also its relationships to adjacent disciplines and institutions. It examines the position of film theorists and their relationship to film industry practitioners and policy makers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781783200375
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