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Time and the Digital (Interfaces: Studies in Visual Culture) - Hardcover
Book 10 of 26: Interfaces: Studies in Visual Culture
Synopsis
Eschewing the traditional focus on object/viewer spatial relationships, Timothy Scott Barker's Time and the Digital stresses the role of the temporal in digital art and media. The connectivity of contemporary digital interfaces has not only expanded the relationships between once separate spaces but has increased the complexity of the temporal in nearly unimagined ways. Invoking the process philosophy of Whitehead and Deleuze, Barker strives for nothing less than a new philosophy of time in digital encounters, aesthetics, and interactivity. Of interest to scholars in the fields of art and media theory and philosophy of technology, as well as new media artists, this study contributes to an understanding of the new temporal experiences emergent in our interactions with digital technologies.
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About the Author
TIMOTHY SCOTT BARKER is a lecturer in digital media at the University of Glasgow and a visiting research fellow at the University of New South Wales.
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Time and the Digital (Interfaces: Studies in Visual Culture)
Seller: Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, United Kingdom
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Condition: Very Good. No dust jacket. The cover and content are both in like new condition. Seller Inventory # HP-106473
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Time and the Digital : Connecting Technology, Aesthetics, and a Process Philosophy of Time
Seller: BWS BKS, Ferndale, NY, U.S.A.
Seller rating 2 out of 5 stars
Hardcover. Condition: New. Orderbook -- wwb -- -- see also publisher website where as of Sept 2012 book is listed at $85 hc and $35 pb: Time and the DigitalConnecting Technology, Aesthetics, and a Process Philosophy of TimeTimothy Scott BarkerInterfaces: Studies in Visual CultureDartmouth College Press2012 ⢠248 pp. 19 illus. 6 x 9"Art Criticism & Theory / Modern Art$35.00 Paperback, 978-1-61168-300-4 $85.00 Hardcover, 978-1-61168-299-1 -- see also WWB swipe: TIME AND THE DIGITAL: CONNECTING TECHNOLOGY, AESTHETICS AND A PROCESS PHILOSOPHY OF TIME. Timothy Scott Barker. Dartmouth College Press, University Press of New England, Lebanon, 2012. Interfaces: Studies in Visual Culture. 248 pp. With 19 ills. 24 x 16 cm. LC 2012-2194 ISBN 9781611682991 In English. Paperbound edition also available; see Worldwide 150394. Publisher's description: Eschewing the traditional focus on object/viewer spatial relationships, Timothy Scott Barker's Time and the Digital stresses the role of the temporal in digital art and media. The connectivity of contemporary digital interfaces has not only expanded the relationships between once separate spaces but has increased the complexity of the temporal in nearly unimagined ways. Barker puts forward the notion that the new ways we interact with digital media, including ever-expanding digital networks and databases that house vast amounts of data, actually produce a new type of time. Invoking the process philosophy of Whitehead and Deleuze, and taking examples from the history of media art as well as our daily interaction with digital technology, he strives for nothing less than a new philosophy of time in digital encounters, aesthetics, and interactivity. Of interest to scholars in the fields of art and media theory and philosophy of technology, as well as new media artists, this study contributes to an understanding of the new temporal experiences emergent in our interactions with digital technologies. Indexing: Western, International (Western Style) â" Post-1990 â" Electronic Media/Computer Art, Several Media Plans: 71 Worldwide Number: 150393; *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 248 pages; 19 illustrations. -- with a bonus offer--; Interfaces: Studies in Visual Culture; Eschewing the traditional focus on object/viewer spatial relationships, Timothy Scott Barker's Time and the Digital stresses the role of the temporal in digital art and media. The connectivity of contemporary digital interfaces has not only expanded the relationships between once separate spaces but has increased the complexity of the temporal in nearly unimagined ways. Invoking the process philosophy of Whitehead and Deleuze, Barker strives for nothing less than a new philosophy of time in digital encounters, aesthetics, and interactivity.Of interest to scholars in the fields of art and media theory and philosophy of technology, as well as new media artists, this study contributes to an understanding of the new temporal experiences emergent in our interactions with digital technologies. Seller Inventory # 100603