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Indians on Display: Global Commodification of Native America in Performance, Art, and Museums - Softcover
Synopsis
Even as their nations and cultures were being destroyed by colonial expansion across the continent, American Indians became a form of entertainment, sometimes dangerous and violent, sometimes primitive and noble. Creating a fictional wild west, entrepreneurs then exported it around the world. Exhibitions by George Catlin, paintings by Charles King, and Wild West shows by Buffalo Bill Cody were viewed by millions worldwide. Norman Denzin uses a series of performance pieces with historical, contemporary, and fictitious characters to provide a cultural critique of how this version of Indians, one that existed only in the western imagination, was commodified and sold to a global audience. He then calls for a rewriting of the history of the American west, one devoid of minstrelsy and racist pageantry, and honoring the contemporary cultural and artistic visions of people whose ancestors were shattered by American expansionism.
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About the Author
Denzin, Norman K
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Indians on Display: Global Commodification of Native America in Performance, Art, and Museums
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Indians on Display
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Indians on Display
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Indians on Display : Global Commodification of Native America in Performance, Art, and Museums
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Indians on Display : Global Commodification of Native America in Performance, Art, and Museums
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Indians on Display
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Left Coast Press, Incorporated, 2013
ISBN 10: 1611320895
ISBN 13: 9781611320893
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Indians on Display
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ISBN 10: 1611320895
ISBN 13: 9781611320893
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Indians on Display
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Indians on Display (Paperback)
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Left Coast Press Inc, Walnut Creek, 2013
ISBN 10: 1611320895
ISBN 13: 9781611320893
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Paperback. Condition: new. Paperback. Even as their nations and cultures were being destroyed by colonial expansion across the continent, American Indians became a form of entertainment, sometimes dangerous and violent, sometimes primitive and noble. Creating a fictional wild west, entrepreneurs then exported it around the world. Exhibitions by George Catlin, paintings by Charles King, and Wild West shows by Buffalo Bill Cody were viewed by millions worldwide. Norman Denzin uses a series of performance pieces with historical, contemporary, and fictitious characters to provide a cultural critique of how this version of Indians, one that existed only in the western imagination, was commodified and sold to a global audience. He then calls for a rewriting of the history of the American west, one devoid of minstrelsy and racist pageantry, and honoring the contemporary cultural and artistic visions of people whose ancestors were shattered by American expansionism. Norman Denzin uses a series of performance pieces with historical, contemporary, and fictitious characters to provide a cultural critique of how a version of Indians, one that existed only in the western imagination, was commodified and sold to a global audience. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781611320893
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Indians on Display : Global Commodification of Native America in Performance, Art, and Museums
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