A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history.
"synopsis" may belong to another edition of this title.
Babette Bohn is Professor of Art History at Texas Christian University. Her publications include two books on Italian prints, Agostino Carracci (1995) and Italian Masters of the Sixteenth Century (1996), and two on the drawings of Ludovico Carracci (2004) and Guido Reni (2008).
James M. Saslow is Professor of Art History, Theatre, and Renaissance Studies at Queens College and the Graduate Center, City University of New York. His most recent book, Pictures and Passions: A History of Homosexuality in the Visual Arts (1999), received two awards from the Lambda Literary Foundation.
Through the masterpieces produced by artists ranging from Michelangelo and Leonardo to Rembrandt, Rubens, and Vermeer, Europe’s Renaissance and Baroque period grew into one of the most creative times in world history. A Companion to Renaissance and Baroque Art presents a comprehensive collection of interdisciplinary essays that address major aspects of European visual arts produced from approximately 1300 to 1700, a period of artistic flourishing that many consider the beginning of modern history. These essays, however, transcend the traditional period labels of “Renaissance” and “Baroque” by addressing works from Duccio and Chaucer to Velazquez and Newton as a single continuum, inclusive in terms of both disciplinary and geographical boundaries, as an era best characterized as “early modern.”
Featuring original contributions by an international roster of scholars from various disciplines, writings are grouped by concept in five sections that spotlight the varied components and processes that constitute the world of the visual arts and the variety of interpretive methods and ideas that can be, and have been, brought to bear on art objects. Essays explore how art interacts with the cultural paradigms of this explosive time: the interface between art and religion, art and science, and gender and sexuality to name a few.
Combining an unprecedented breadth of coverage and depth of scholarship with lucid and accessible writing, A Companion to Renaissance and Baroque Art represents the most comprehensive reference on the study of Renaissance and Baroque visual arts available today.
Through the masterpieces produced by artists ranging from Michelangelo and Leonardo to Rembrandt, Rubens, and Vermeer, Europe’s Renaissance and Baroque period grew into one of the most creative times in world history. A Companion to Renaissance and Baroque Art presents a comprehensive collection of interdisciplinary essays that address major aspects of European visual arts produced from approximately 1300 to 1700, a period of artistic flourishing that many consider the beginning of modern history. These essays, however, transcend the traditional period labels of “Renaissance” and “Baroque” by addressing works from Duccio and Chaucer to Velazquez and Newton as a single continuum, inclusive in terms of both disciplinary and geographical boundaries, as an era best characterized as “early modern.”
Featuring original contributions by an international roster of scholars from various disciplines, writings are grouped by concept in five sections that spotlight the varied components and processes that constitute the world of the visual arts and the variety of interpretive methods and ideas that can be, and have been, brought to bear on art objects. Essays explore how art interacts with the cultural paradigms of this explosive time: the interface between art and religion, art and science, and gender and sexuality to name a few.
Combining an unprecedented breadth of coverage and depth of scholarship with lucid and accessible writing, A Companion to Renaissance and Baroque Art represents the most comprehensive reference on the study of Renaissance and Baroque visual arts available today.
"About this title" may belong to another edition of this title.
Seller: David's Books, Ypsilanti, MI, U.S.A.
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Seller Inventory # 1000136063
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 8528003-n
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Hardback or Cased Book. Condition: New. A Companion to Renaissance and Baroque Art. Book. Seller Inventory # BBS-9781444337266
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # FW-9781444337266
Quantity: 15 available
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 8528003
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new. Seller Inventory # b89704ddc1241bdb6d97d57c473fc79b
Quantity: Over 20 available
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New. Seller Inventory # 8528003-n
Quantity: Over 20 available
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition. Seller Inventory # 8528003
Quantity: Over 20 available
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 648. Seller Inventory # 49839466
Quantity: 3 available
Seller: Buchmarie, Darmstadt, Germany
Condition: Good. Buchschnitt leicht verschmutzt. Auflage: 20013. Cover leicht beschädigt. Seller Inventory # 3746649_1ce