Most other works that instruct cellists in the art of playing their instrument come in two predictable forms-emphasizing either the left hand or the right hand or instructing string players in the use of both but separately. Wilson argues that the movements of the hands are vitally interdependent, supporting one another in any technical action.
"synopsis" may belong to another edition of this title.
The New Zealand–born cellist and writer Miranda Wilson has performed on five continents and made several broadcast and compact disc recordings. She is a professor of cello at the University of Idaho.
"About this title" may belong to another edition of this title.
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PAP. Condition: Used - Very Good. Used - Like New Book. Shipped from UK. Established seller since 2000. Seller Inventory # P1-9781442246775
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
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Seller: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Seller Inventory # L0-9781442246775
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Paperback. Condition: new. Paperback. What does it mean to perform expressively on the cello? In Cello Practice, Cello Performance, professor Miranda Wilson teaches that effectiveness on the concert stage or in an audition reflects the intensity, efficiency, and organization of your practice. Far from being a mysterious gift randomly bestowed on a lucky few, successful cello performance is, in fact, a learnable skill that any player can master. Most other instructional works for cellists address techniques for each hand individually, as if their movements were independent. In Cello Practice, Cello Performance, Wilson demonstrates that the movements of the hands are vitally interdependent, supporting and empowering one another in any technical action. Original exercises in the fundamentals of cello playing include cross-lateral exercises, mindful breathing, and one of the most detailed discussions of intonation in the cello literature. Wilson translates this practice-room success to the concert hall through chapters on performance-focused practice, performance anxiety, and common interpretive challenges of cello playing. This book is a resource for all advanced cellistscollege-bound high school students, undergraduate and graduate students, educators, and professional performersand teaches them how to be their own best teachers. Most other works that instruct cellists in the art of playing their instrument come in two predictable formsemphasizing either the left hand or the right hand or instructing string players in the use of both but separately. Wilson argues that the movements of the hands are vitally interdependent, supporting one another in any technical action. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781442246775
Seller: moluna, Greven, Germany
Kartoniert / Broschiert. Condition: New. Most other works that instruct cellists in the art of playing their instrument come in two predictable forms-emphasizing either the left hand or the right hand or instructing string players in the use of both but separately. Wilson argues that the movements. Seller Inventory # 32563188
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