Myth and Creative Writing is a unique and practical guide to the arts of creative writing. It:
A secret that all writers know is that they are part of a long tradition of storytelling - whether they call it mythic, intertextual, interactive or original. And in the pantheon of storytelling, myths (those stories that tell us, in often magical terms, how the world and the creatures in it came to be) are the bedrock, a source of unending inspiration. One can dress the study of literature in the finest critical clothing - or intellectualise it until the cows come home - but at its heart it is nothing more - and nothing less - than the study of the human instinct to tell stories, to order the world into patterns we can more readily understand. Exploring the mythic nature of writing (by considering where the connections between instinct and art are made, and where the writer is also seen as a mythic adventurer) is a way of finding close links to what it is we demand from literature, which is - again - something to do with the essences of human nature. Further, in the course of examining the nature of myth, Adrian May provides a very practical guide to the aspiring writer - whether in a formal course or working alone - on how to write stories (myths) of their own, from how to begin, how to develop and how to close.
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Adrian May is a teacher of writing at the University of Essex. He has published essays on writing, myth and song lyrics, and his background is as a songwriter, lyricist and performer on the English folk music circuit. He is also the author of a collection of poems, An Essex Attitude (Wivenbooks, UK: 2009).
Creative writing has always been influenced by myth, and examining the sophisticated relationship between creativity and myth can help writers develop their craft. Myth and Creative Writing: The Self-Renewing Song is a practical guide to using myth to understand the creative process, and to enhance creative writing with the use of mythic material.
Offering writing exercises and examples of the use of myth in prose, poetry and song, Adrian May provides a clear and accessible guide through the process of writing and how it can be enhanced by myth. From the classical to fairytale, the Biblical to urban myth, and symbols of nature and time, the concept of myth in all its forms is studied with insight and sensitivity. A subject dictionary of ways that writers can make mythic and symbolic connections within their work offers writers the opportunity to make new writing resonate as the best mythic writing does. Drawing on subjects as diverse as Gilgamesh and contemporary film, Myth and Creative Writing: The Self-Renewing Song makes the rich resource of myth accessible to all writers, from students of creative writing to seasoned authors.
Adrian May was a songwriter in English folk clubs before becoming a teacher of writing at the University of Essex. He has published essays on writing, myth and song lyrics, and is the author of a collection of poems, An Essex Attitude (Wivenbooks, 2009).
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Paperback. Condition: new. Paperback. Myth and Creative Writing is a unique and practical guide to the arts of creative writing. It:Gives a historical perspective on the storyteller's art Takes a wide view of myth, to include: legends, folklore, biblical myth, classical myth, belief myths, balladry and song. Considers all aspects of the creative process, from conception to completion Provides tips on seeking inspiration from classical and mythic sources Shows how myths can be linked to contemporary concerns Enables beginning writers to tap into the deeper resonances of myth Guides students to further critical and creative resourcesA secret that all writers know is that they are part of a long tradition of storytelling - whether they call it mythic, intertextual, interactive or original. And in the pantheon of storytelling, myths (those stories that tell us, in often magical terms, how the world and the creatures in it came to be) are the bedrock, a source of unending inspiration. One can dress the study of literature in the finest critical clothing - or intellectualise it until the cows come home - but at its heart it is nothing more - and nothing less - than the study of the human instinct to tell stories, to order the world into patterns we can more readily understand. Exploring the mythic nature of writing (by considering where the connections between instinct and art are made, and where the writer is also seen as a mythic adventurer) is a way of finding close links to what it is we demand from literature, which is - again - something to do with the essences of human nature. Further, in the course of examining the nature of myth, Adrian May provides a very practical guide to the aspiring writer - whether in a formal course or working alone - on how to write stories (myths) of their own, from how to begin, how to develop and how to close. For students of creative writing, Myth and Creative Writing provides an exploration of myth - both ancient and modern - that considers its enduring interest as a subject in its own right, as a light on the human instinct to tell stories as well, and as an inspirational spur to continued creative engagement with the world we live in today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781408204641
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