Unlock the secrets of a pivotal shift in orchestration as this book traces how one composer expanded the orchestra into a dramatic, cohesive force. You’ll discover how precision in instrument choice gave Wagner’s drama its power, depth, and forward momentum in the late 19th century.
This edition surveys the evolution of modern sound through the lens of Wagner’s innovations, from bold brass textures to the expanded woodwinds and percussion that shaped the Bayreuth stage. It also places Wagner in the broader musical conversation, contrasting approaches while highlighting the practical changes that redefined orchestral writing for generations.
- Learn how three-part harmony and groupings of winds and brass created new radiance and clarity.
- See how percussion and the conductor’s role contributed to dramatic pacing and expressive impact.
- Understand the shift toward instrument-specific colors and their role in portraying action, emotion, and atmosphere.
- Explore the debate surrounding orchestration theory and how Wagner’s ideas influenced later composers.
Ideal for readers of music history and theory who want a clear view of how orchestration became a vital dramatic tool in the modern era.
"synopsis" may belong to another edition of this title.
Excerpt from The Evolution of Modern Orchestration
Throughout these pages the achievements of the more prominent composers are set forth in such manner as to indicate not only the distinctive features of 'their orchestration but of their general creative ability as well. In each case, the gen eral style of composition and its significance as a contribution to musical literature are first enlarged upon. This is followed by an examination of the differentiated treatment of the strings, the wood, the brass, presented in logical sequence. A final analysis is then made of the individual method of orchestration as a whole, together with its relative value in the evolution of orchestration.
In the Appendix to this book will be found a few musical illustrations selected from representative orchestral scores.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Louis Adolphe Coerne (1870 – 1922) was an American composer and music educator. He was born in Newark, New Jersey, and was educated at Harvard University, where he studied under John Knowles Paine, and in Europe. Coerne wrote a number of pedagogical pieces for piano, and also composed a number of orchestral works, one of which, thetone poem Excalibur (Op. 180), was recorded by Karl Krueger with the Royal Philharmonic Orchestra in the late 1960s, and reissued on CD in 2006 by Bridge Records. His cantata, Hiawatha (op. 18), was premiered in Munich in 1893 and performed by the Boston Symphony Orchestra in 1894. Coerne's opera, Zenobia (op. 66), premiered in Bremen, Germany, in 1905, and was the first opera by an American composer to be performed in Germany. Earlier that year, Harvard had conferred on Coerne the degree of Ph.D., with the score ofZenobia and his book, The Evolution of Modern Orchestration (published in 1908), serving as his thesis. Other operas composed by Coerne: · A Woman of Marblehead (op. 40) · Sakuntala (op. 67) · The Maiden Queen (op. 69) Coerne taught at Smith College, Harvard, and Connecticut College. He died in Boston, Massachusetts, on September 11, 1922.
"About this title" may belong to another edition of this title.
Seller: Forgotten Books, London, United Kingdom
Paperback. Condition: New. Print on Demand. This book delves into the rich history of the orchestra and orchestration, tracing their evolution from humble beginnings to the sophisticated ensembles we know today. The author takes a deep dive into the instrumental landscape of the past, examining how instruments evolved and how composers began to combine them to create expressive and dramatic effects. From the dawn of independent instrumentation in the early 17th century to the groundbreaking contributions of Monteverdi and his successors, the book sheds light on the artistic and practical factors that shaped the development of orchestral music. It explores the interplay between vocal and instrumental forms, the influence of social and cultural contexts, and the gradual emergence of orchestration as a distinct art form. The author emphasizes the importance of instrumentation in enhancing emotional expression and narrative depth, unraveling the techniques and innovations that composers employed to achieve these effects. This book is a valuable resource for music enthusiasts, historians, and performers seeking to understand the intricate relationship between music, instruments, and the human experience. It illuminates the rich tapestry of orchestral music, offering fresh insights into the creative process and the enduring power of this beloved art form. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Seller Inventory # 9781330401774_0
Quantity: Over 20 available
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # LW-9781330401774
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # LW-9781330401774
Quantity: 15 available
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 296 pages. 9.02x5.98x0.62 inches. This item is printed on demand. Seller Inventory # zk1330401778
Quantity: 1 available
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware. Seller Inventory # 9781330401774