In the mid 1990’s Deborah Hay’s work took a new turn. From her early experiments with untrained dancers, and after a decade of focusing on solo work, the choreographer began to explore new grounds of choreographic notation and transmission by working with experienced performers and choreographers.
Using the Sky: a dance follows a similar path as Hay’s previous books―Lamb at the Altar and My Body the Buddhist―by exploring her unrelenting quest for ways to both define and rethink her choreographic imagery through a broad range of alternately intimate, descriptive, poetic, analytical and often playful engagement with language and writing.
This book is a reflection on the experiments that Hay set up for herself and her collaborators, and the ideas she discovered while choreographing four dances, If I Sing to You (2008), No Time to Fly (2010), A Lecture on the Performance of Beauty (2003), and the solo My Choreographed Body (2014).
The works are revisited by unfolding a trove of notes and journal entries, resulting in a dance score in its own right, and providing an insight into Hay’s extensive legacy and her profound influence on the current conversations in contemporary performance arts.
"synopsis" may belong to another edition of this title.
Using the Sky weaves together a series of questions, thoughts, and actions aimed at stepping, literally and figuratively, into the unknowable.
Didier Morelli - The Drama Review
DEBORAH HAY's choreography, from exquisitely meditative solos to dances for large groups of untrained and trained dancers, explores the nature of experience, perception, and attention in dance, and has received numerous awards. Her previous books are Lamb at the Altar (1994) and Moving Through the Universe in Bare Feet (1975).
SUSAN FOSTER is Professor of Dance History at UC-Riverside and author of Choreography and Narrative (1998) and Reading Dancing (1988).
"About this title" may belong to another edition of this title.
Seller: The Green Arcade, San Francisco, CA, U.S.A.
Soft cover. Condition: Fine. In find condition; faint scuffing to wraps; light soiling lower outside corner; otherwise, as new. 137 numbered pages. 7 7/8 x 5 1/8 in. Signed by Author(s). Seller Inventory # 004809
Seller: BooksRun, Philadelphia, PA, U.S.A.
Paperback. Condition: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Seller Inventory # 1138914371-8-1
Seller: Einar & Bert Theaterbuchhandlung, Berlin, Germany
Taschenbuch. Condition: Wie neu. Deborah Hay is an internationally renowned dance artist whose unique approach to bodily practice has had lasting impact on American choreography. Her commitment to dance as a process is as exquisite as it is provoking. Rooted in NYC's 1960s experimental Judson Dance Theater in New York, Hay's work has evolved through experimentation with a use of language that is unique to dance. This book is an exploration and articulation of Hay's process, focusing on several of her most recent works. Seller Inventory # BN1375
Seller: Einar & Bert Theaterbuchhandlung, Berlin, Germany
Softcover/Taschenbuch. Condition: Wie neu. Wie neu. Seller Inventory # EB3976
Seller: Studibuch, Stuttgart, Germany
paperback. Condition: Sehr gut. 164 Seiten; 9781138914377.2 Gewicht in Gramm: 500. Seller Inventory # 1488884