A continuation of 1994’s groundbreaking Cartoons, Giannalberto Bendazzi’s Animation: A World History is the largest, deepest, most comprehensive text of its kind, based on the idea that animation is an art form that deserves its own place in scholarship. Bendazzi delves beyond just Disney, offering readers glimpses into the animation of Russia, Africa, Latin America, and other often-neglected areas and introducing over fifty previously undiscovered artists. Full of first-hand, never before investigated, and elsewhere unavailable information, Animation: A World History encompasses the history of animation production on every continent over the span of three centuries.
Volume I traces the roots and predecessors of modern animation, the history behind Émile Cohl's Fantasmagorie, and twenty years of silent animated films. Encompassing the formative years of the art form through its Golden Age, this book accounts for animation history through 1950 and covers everything from well-known classics like Steamboat Willie to animation in Egypt and Nazi Germany. With a wealth of new research, hundreds of photographs and film stills, and an easy-to-navigate organization, this book is essential reading for all serious students of animation history.
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A former professor at the Nanyang Technological University of Singapore and the Università degli Studi of Milan, Italian-born Giannalberto Bendazzi has been thoroughly investigating the history of animation for more than forty years. A founding member of the Society for Animation Studies, he authored or edited various classics in various languages, and has lectured extensively on every continent.
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Hardback. Condition: Fine. Dust Jacket Condition: Fine. In excellent condition, No writing or highlighting, book is crisp and clean. inquire for photos or more details. 100% satisfaction guarantee. --- Giannalberto Bendazzi's first volume of his three-part history of animation runs from the earliest images suggesting motion up to 1950. It opens with a painted earthen goblet more than 5000 years old and moves on to the friezes of a Greek temple of 447 BC. It then follows the pre-cinematic devices to the first screening of Emile Cohl's Fantasmagorie, which Bendazzi treats as the moment animation became a distinct art. It continues through two decades of silent animated film and on into the Golden Age. The history moves in chronological periods bounded by key turning points, and within each period it is divided by nation and by individual artist. Developments in animation are placed against the wider world history of each era. The arrangement works more like a reference work than a continuous narrative, and it includes a section on animation in Germany under the Nazis. Seller Inventory # OA-250423-shelf-7-013
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