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Synopsis
This collection of chapters investigates the effects of mobility and place on a range of photographic archives and explores their potential for cross-disciplinary dialogue.
The book explores photographic images used in the study of art, as well as the implications of placing European images of non-European cultures in an archive, album, library, or museum. It also addresses questions of digital space, which renders images more visually accessible, but further complicates issues relating to location. The contributors consider these issues through case studies based on a variety of archives, institutions, and disciplines. Just as photographs are conceived as unstable objects, so conventional borders between disciplines and locations are challenged and opened up with chapters drawing on a range of disciplinary theories and practices. The focus of the individual chapters is global, as seen in contributions not only on Euro-American topics, but also on Orientalizing approaches to photographing the Ancient Near East, photographic archives of Bedouin subjects, and digital photographic archives in an Iranian context.
This book will be of interest to scholars of art history, visual and cultural studies, anthropology, and archaeology, as well as those working on the history and theory of photography, and histories and theories of the archive.
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About the Author
Geraldine A. Johnson is Head of the Department of History of Art at the University of Oxford and a College Fellow of Christ Church, Oxford.
Deborah Schultz is Senior Lecturer in Art History at Regent’s University, London.
"About this title" may belong to another edition of this title.
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Photo Archives and the Place of Photography
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Paperback. Condition: New. This collection of chapters investigates the effects of mobility and place on a range of photographic archives and explores their potential for cross-disciplinary dialogue.The book explores photographic images used in the study of art, as well as the implications of placing European images of non-European cultures in an archive, album, library, or museum. It also addresses questions of digital space, which renders images more visually accessible, but further complicates issues relating to location. The contributors consider these issues through case studies based on a variety of archives, institutions, and disciplines. Just as photographs are conceived as unstable objects, so conventional borders between disciplines and locations are challenged and opened up with chapters drawing on a range of disciplinary theories and practices. The focus of the individual chapters is global, as seen in contributions not only on Euro-American topics, but also on Orientalizing approaches to photographing the Ancient Near East, photographic archives of Bedouin subjects, and digital photographic archives in an Iranian context.This book will be of interest to scholars of art history, visual and cultural studies, anthropology, and archaeology, as well as those working on the history and theory of photography, and histories and theories of the archive. Seller Inventory # LU-9781032967134
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Photo Archives and the Place of Photography (Paperback)
Published by
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ISBN 10: 1032967137
ISBN 13: 9781032967134
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Paperback. Condition: new. Paperback. This collection of chapters investigates the effects of mobility and place on a range of photographic archives and explores their potential for cross-disciplinary dialogue.The book explores photographic images used in the study of art, as well as the implications of placing European images of non-European cultures in an archive, album, library, or museum. It also addresses questions of digital space, which renders images more visually accessible, but further complicates issues relating to location. The contributors consider these issues through case studies based on a variety of archives, institutions, and disciplines. Just as photographs are conceived as unstable objects, so conventional borders between disciplines and locations are challenged and opened up with chapters drawing on a range of disciplinary theories and practices. The focus of the individual chapters is global, as seen in contributions not only on Euro-American topics, but also on Orientalizing approaches to photographing the Ancient Near East, photographic archives of Bedouin subjects, and digital photographic archives in an Iranian context.This book will be of interest to scholars of art history, visual and cultural studies, anthropology, and archaeology, as well as those working on the history and theory of photography, and histories and theories of the archive. This collection of essays investigates the effects of mobility and place on a range of photographic archives and explores their potential for cross-disciplinary dialogue. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781032967134
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ISBN 10: 1032967137
ISBN 13: 9781032967134
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Paperback. Condition: new. Paperback. This collection of chapters investigates the effects of mobility and place on a range of photographic archives and explores their potential for cross-disciplinary dialogue.The book explores photographic images used in the study of art, as well as the implications of placing European images of non-European cultures in an archive, album, library, or museum. It also addresses questions of digital space, which renders images more visually accessible, but further complicates issues relating to location. The contributors consider these issues through case studies based on a variety of archives, institutions, and disciplines. Just as photographs are conceived as unstable objects, so conventional borders between disciplines and locations are challenged and opened up with chapters drawing on a range of disciplinary theories and practices. The focus of the individual chapters is global, as seen in contributions not only on Euro-American topics, but also on Orientalizing approaches to photographing the Ancient Near East, photographic archives of Bedouin subjects, and digital photographic archives in an Iranian context.This book will be of interest to scholars of art history, visual and cultural studies, anthropology, and archaeology, as well as those working on the history and theory of photography, and histories and theories of the archive. This collection of essays investigates the effects of mobility and place on a range of photographic archives and explores their potential for cross-disciplinary dialogue. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781032967134
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Taschenbuch. Condition: Neu. Neuware - This collection of chapters investigates the effects of mobility and place on a range of photographic archives and explores their potential for cross-disciplinary dialogue.The book explores photographic images used in the study of art, as well as the implications of placing European images of non-European cultures in an archive, album, library, or museum. It also addresses questions of digital space, which renders images more visually accessible, but further complicates issues relating to location. The contributors consider these issues through case studies based on a variety of archives, institutions, and disciplines. Just as photographs are conceived as unstable objects, so conventional borders between disciplines and locations are challenged and opened up with chapters drawing on a range of disciplinary theories and practices. The focus of the individual chapters is global, as seen in contributions not only on Euro-American topics, but also on Orientalizing approaches to photographing the Ancient Near East, photographic archives of Bedouin subjects, and digital photographic archives in an Iranian context.This book will be of interest to scholars of art history, visual and cultural studies, anthropology, and archaeology, as well as those working on the history and theory of photography, and histories and theories of the archive. Seller Inventory # 9781032967134
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Photo Archives and the Place of Photography (Paperback)
Published by
Taylor & Francis Ltd, London, 2026
ISBN 10: 1032967137
ISBN 13: 9781032967134
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Paperback. Condition: new. Paperback. This collection of chapters investigates the effects of mobility and place on a range of photographic archives and explores their potential for cross-disciplinary dialogue.The book explores photographic images used in the study of art, as well as the implications of placing European images of non-European cultures in an archive, album, library, or museum. It also addresses questions of digital space, which renders images more visually accessible, but further complicates issues relating to location. The contributors consider these issues through case studies based on a variety of archives, institutions, and disciplines. Just as photographs are conceived as unstable objects, so conventional borders between disciplines and locations are challenged and opened up with chapters drawing on a range of disciplinary theories and practices. The focus of the individual chapters is global, as seen in contributions not only on Euro-American topics, but also on Orientalizing approaches to photographing the Ancient Near East, photographic archives of Bedouin subjects, and digital photographic archives in an Iranian context.This book will be of interest to scholars of art history, visual and cultural studies, anthropology, and archaeology, as well as those working on the history and theory of photography, and histories and theories of the archive. This collection of essays investigates the effects of mobility and place on a range of photographic archives and explores their potential for cross-disciplinary dialogue. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9781032967134
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Photo Archives and the Place of Photography
Published by
Taylor and Francis Ltd, GB, 2026
ISBN 10: 1032967137
ISBN 13: 9781032967134
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Paperback. Condition: New. This collection of chapters investigates the effects of mobility and place on a range of photographic archives and explores their potential for cross-disciplinary dialogue.The book explores photographic images used in the study of art, as well as the implications of placing European images of non-European cultures in an archive, album, library, or museum. It also addresses questions of digital space, which renders images more visually accessible, but further complicates issues relating to location. The contributors consider these issues through case studies based on a variety of archives, institutions, and disciplines. Just as photographs are conceived as unstable objects, so conventional borders between disciplines and locations are challenged and opened up with chapters drawing on a range of disciplinary theories and practices. The focus of the individual chapters is global, as seen in contributions not only on Euro-American topics, but also on Orientalizing approaches to photographing the Ancient Near East, photographic archives of Bedouin subjects, and digital photographic archives in an Iranian context.This book will be of interest to scholars of art history, visual and cultural studies, anthropology, and archaeology, as well as those working on the history and theory of photography, and histories and theories of the archive. Seller Inventory # LU-9781032967134
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