Paul Signac and Color in Neo-Impressionism is a groundbreaking examination of the artistic technique of "divisionism" in terms of modern scientific theory of color. Truly interdisciplinary in his approach, Floyd Ratliff treats the evolution of both color theory and artistic practice in an integrated way. Signac was the principal advocate for the new movement launched by Georges Seurat in the 1880s.
The book is handsomely illustrated with both Neo-Impressionist paintings and scientific drawings and diagrams.
Ratliff's five-part essay provides an extended introduction to a translation of Signac's monograph, From Eugene Delacroix to Neo-Impressionism, widely regarded as the basic document of the movement, but never before available in English.
This will be an invaluable reference for scholars in art and design, as well as students of the psychology and neurophysiology of color vision and those interested in the relation between the arts and the sciences. Its clarity of style also makes it accessible to the general reader interested in art history, painting, or the perception of color, particularly with its glossary of technical and art terms, index, and bibliography.
"synopsis" may belong to another edition of this title.
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. White dj with black text and color illustration, magenta cloth-bound boards with debossed text on cover, white text on spine. 317 pp. Features some color and black and white illustrations. Paul Signac and Color in Neo-Impressionism is a groundbreaking examination of the artistic technique of "divisionism" in terms of modern scientific theory of color. Truly interdisciplinary in his approach, Floyd Ratliff treats the evolution of both color theory and artistic practice in an integrated way. Signac was the principal advocate for the new movement launched by Georges Seurat in the 1880s. The book is handsomely illustrated with both Neo-Impressionist paintings and scientific drawings and diagrams. Ratliff's five-part essay provides an extended introduction to a translation of Signac's monograph, From Eugene Delacroix to Neo-Impressionism, widely regarded as the basic document of the movement, but never before available in English. This will be an invaluable reference for scholars in art and design, as well as students of the psychology and neurophysiology of color vision and those interested in the relation between the arts and the sciences. Its clarity of style also makes it accessible to the general reader interested in art history, painting, or the perception of color, particularly with its glossary of technical and art terms, index, and bibliography. VG, some minor yellowing at edges of dj, all else excellent. Embossed stamp on title page. Seller Inventory # 211664
Seller: HM Books, Kingston, NY, U.S.A.
hardcover. Condition: VeryGood. Dust jacket shows some light rubbing, scuffing and edge wear. Seller Inventory # mon0000018647
Seller: Ethan Daniel Books, Toronto, ON, Canada
Hardcover. Condition: Very Good. 1st Edition. The work of Paul Signac examined in terms of modern scientific color theory. Minor edge wear to price-clipped dust jacket with a very tiny 2mm tear to upper right corner. Otherwise a fine copy with no marks or fading to covers or inside pages. Not ex-library. Not a remainder. Binding is firm. 317 pages. Seller Inventory # EDB05162
Seller: Bookman Orange, Orange, CA, U.S.A.
hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Previous owner bookplate present Clean crisp copy with no markings. Seller Inventory # 1286569
Seller: Ven y empieza, Puerto Lumbreras, MU, Spain
Condition: Muy Bueno. Seller Inventory # 1280
Seller: GoldBooks, Denver, CO, U.S.A.
Condition: new. Seller Inventory # 58U68_94_0874700507