In Playing Cowboys, Robert Murray Davis examines the Western hero-a principal image of American manhood since publication of The Virginian-as portrayed by a variety of post-World War II novelists and filmmakers. Innovative artists have used the Western to discuss issues of ethics and aesthetics, but its greatest impact may have been on popular cultural values. Davis shows that the Western is not primarily about escape or violence, but, at its best, is about development. The would-be hero adopts the existing role only to find it inadequate, and, forced to "reimagine" himself, he defines the Western hero anew. At the core of this process is strength-not power over others, but courage to go beyond the established boundaries. Although women do appear in the Western (often as proponents of "civilization"), it is fundamentally a man's world, offering an important view of male identity.Focusing on The Virginian, chapter 1 explores the origin of the Western hero and the source of the genre's major plots and issues. Chapter 2 evaluates history, myth, and the relative reality of the two in the works of Oakley Hall. Citing the novels of Richard Brautigan, E.L. Doctorow, John Hawkes, and Michael Ondaatje, chapter 3 compares the Western and the gothic novel, focusing on the concept of space. These works portray the West as a wasteland devoid of any vitality, but chapter 4 takes up science fiction Westerns (including works by John Jakes, John Boyd, and Robert Sheckley) that use the Western frontier to ironic and liberating effect. Chapter 5, on the motion picture Blazing Saddles and the postmodern Western novels of Ishmael Reed and Alvin Greenberg, examines the role playing by which identity is created. And in his Preface, Introduction, and Epilogue, Davis frames these discussions with personal observations on the West and its relation to the American masculine mystique.For those interested in Western movies or novels, popular culture, gender studies, or literary criticism, Playing Cowboys is a unique and indispensable guide to the territory from here to the sunset.
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Polly Aird is an independent historian whose award-winning articles have appeared in the Utah Historical Quarterly, the Journal of Mormon History, and Dialogue: A Journal of Mormon Thought. She is the author of the award-winning book Mormon Convert, Mormon Defector: A Scottish Immigrant in the American West, 1848-1861. She lives in Seattle, Washington.
Jeff Nichols is Associate Professor of History at Westminster College, Salt Lake City, and the author of Prostitution, Polygamy, and Power: Salt Lake City, 1847-1918.
Will Bagley (1950-2021) was an independent historian who wrote about overland emigration, frontier violence, railroads, mining, and the Mormons. Bagley published extensively over the years and is the author and editor of many books, articles, and reviews in professional journals. Bagley was the general editor of Arthur H. Clark Company's documentary history series KINGDOM IN THE WEST: The Mormons and the American Frontier. Bagley was a Wallace Stegner Centennial Fellow at the University of Utah and a Archibald Hanna Jr. Fellow in American History at Yale University's Beinecke Library. Blood of the Prophets: Brigham Young and the Massacre at Mountain Meadows has won numerous awards, including a Spur Award from Western Writers of America, the Bancroft History Prize from the Denver Public Library, Westerners International Best Book, and the Western History Association Caughey Book Prize for the most distinguished book on the history of the American West. So Rugged and Mountainous: Blazing the Trails to Oregon and California, 1812-1848 is the first of the two-volume Overland West: The Story of the Oregon and California Trails series.
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Hardcover. Condition: As New. First edition. 518 pp. Octavo [24 cm]. Blue cloth over boards with silver stamped titles on front board and backstrip. Very small white mark on front cover, otherwise in new condition. Number 13 in Clark's "Kingdom in the West" series, edited by Will Bagley. This collection of narratives by four individuals who abandoned Mormonism"apostates," as Brigham Young and other Latter-day Saint leaders labeled themprovides an overview of dissent from the beginning of the religion to the early twentieth century and presents a wide range of disaffection with the faith or its leaders. Instead of focusing on a single disheartened individual or sect, this collection includes dissenters with different motivations and a wide range of experiences. Some devout Mormon converts, finding Brigham Young's implementation of the Kingdom of God disillusioning, turned their backs on religion in general. Yet most never lost their love for their fellow Mormons or their longing for the ideal society they had dreamed of building. Newspaper articles, personal letters, journals, and sermons provide context for the testaments collected herethose of George Armstrong Hicks, Charles Derry, Ann Gordge, and Brigham Young Hampton. The four range from those who felt Brigham Young had not lived up to the precepts of Mormonism, to "backouts" who gave up and left Utah, to a plural wife who constructed a rich fantasy world, to a devoted Latter-day Saint who gave his all only to feel betrayed by his leaders. Young warned one dissenting group that they were "not playing with shadows," but with "the voice and the hand of the Almighty"; accordingly, many dissenters feared for their livelihoods, and some, for their lives. Historians will value the range of beliefs, opinions, complaints, hopes, and fears expressed in these carefully annotated life histories. An antidote to anti-Mormon sensationalism, these detailed chronicles of deeply personal journeys add subtlety and a human dimension to our understanding of the Mormon past. Seller Inventory # 70955
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