Presents the classic nineteenth-century novel depicting the struggles of the people caught up in the French Revolution
"synopsis" may belong to another edition of this title.
"["A Tale of Two Cities"] has the best of Dickens and the worst of Dickens: a dark, driven opening, and a celestial but melodramatic ending; a terrifyingly demonic villainess and (even by Dickens' standards) an impossibly angelic heroine. Though its version of the French Revolution is brutally simplified, its engagement with the immense moral themes of rebirth and terror, justice, and sacrifice gets right to the heart of the matter . . . For every reader in the past hundred and forty years and for hundreds to come, it is an unforgettable ride."-from the Introduction by Simon Schama
["A Tale of Two Cities"] has the best of Dickens and the worst of Dickens: a dark, driven opening, and a celestial but melodramatic ending; a terrifyingly demonic villainess and (even by Dickens standards) an impossibly angelic heroine. Though its version of the French Revolution is brutally simplified, its engagement with the immense moral themes of rebirth and terror, justice, and sacrifice gets right to the heart of the matter . . . For every reader in the past hundred and forty years and for hundreds to come, it is an unforgettable ride. from the Introduction by Simon Schama"
[A Tale of Two Cities] has the best of Dickens and the worst of Dickens: a dark, driven opening, and a celestial but melodramatic ending; a terrifyingly demonic villainess and (even by Dickens standards) an impossibly angelic heroine. Though its version of the French Revolution is brutally simplified, its engagement with the immense moral themes of rebirth and terror, justice, and sacrifice gets right to the heart of the matter . . . For every reader in the past hundred and forty years and for hundreds to come, it is an unforgettable ride. from the Introduction by Simon Schama"
"[A Tale of Two Cities] has the best of Dickens and the worst of Dickens: a dark, driven opening, and a celestial but melodramatic ending; a terrifyingly demonic villainess and (even by Dickens' standards) an impossibly angelic heroine. Though its version of the French Revolution is brutally simplified, its engagement with the immense moral themes of rebirth and terror, justice, and sacrifice gets right to the heart of the matter . . . For every reader in the past hundred and forty years and for hundreds to come, it is an unforgettable ride."-from the Introduction by Simon Schama
One of Dickens's most exciting books, set against the backdrop of the French revolution
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Seller: Wonder Book, Frederick, MD, U.S.A.
Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Seller Inventory # H13M-00012
Seller: Wonder Book, Frederick, MD, U.S.A.
Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Seller Inventory # W04B-03926
Seller: Better World Books: West, Reno, NV, U.S.A.
Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 58068392-75
Seller: James F. Balsley, Bookseller, Williamsburg, VA, U.S.A.
Hardcover. Condition: Fine. Book is as new. No dust jacket a issued. ; Drawings; 4to 11" - 13" tall; 55 pages. Seller Inventory # 11705
Seller: SHIMEDIA, Brooklyn, NY, U.S.A.
Condition: New. Satisfaction Guaranteed or your money back. Seller Inventory # 0831786256