In 1998 we published cream, which initiated our 10x10 formula: Phaidon asked 10 curators to select 10 emerging artists. Among the 100 chosen many are now established artists, including Maurizio Cattalan, Tacita Dean, Olafur Eliasson and Thomas Hirschhorn, positioning the Cream series at the pinnacle of contemporary art surveys. Ice Cream reveals the next generation of emerging artists as selected by a fresh group of curators-- Sergio Edelsztein, Jens Hoffmann, Lisette Lagnado, Midori Matsui, Shamim Momin, Pi Li, Gloria Sutton, Olesya Turkina, Philippe Vergne, and The Wrong Gallery.
"synopsis" may belong to another edition of this title.
Jens Hoffmann is a curator and writer based in San Francisco where he is Director of the CCA Wattis Institute for Contemporary Arts.
Midori Matsui is an art critic and scholar who has written extensively on Japanese and Western art and culture for a wide variety of periodicals and catalogues.
Philippe Vergne is the Chief Curator and Deputy Director at the Walker Art Center Minneapolis.
Sergio Edelsztein founded The Center for Contemporary Art, Tel Aviv in 1995, where he has been the Director since 1997.
Shamim M Momin is an Associate Curator at the Whitney Museum of American Art and Branch Director and Curator of the Whitney Museum of American Art at Altria, New York.
Pi Li is a lecturer at the Central Academy of Fine Arts and Curator at The Loft New Media Art Space, Beijing.
Lisette Lagnado was the Chief Curator of the 27th São Paulo Biennial (2006) and, since 2001, she has been editor of the online journal, Trópico.
Gloria Sutton is a former Helena Rubinstein Fellow in Critical Studies at the Whitney Museum of American Art Independent Study Program, New York and is currently working with the Kunsthalle, Zurich.
The Wrong Gallery, set up by the artist Maurizio Cattelan, and the curators Massimiliano Gioni and Ali Subotnick, was a tiny, not-for-profit, half-metre-square exhibition space located in a shallow doorway in Chelsea, New York’s gallery district. Evicted in July 2005, the gallery space is currently housed at London's Tate Modern. The Wrong Gallery has organised over 30 exhibitions with artists such as Lawrence Weiner, Elizabeth Peyton and Paul McCarthy. Under The Wrong Gallery's name, Catellan, Subotnick and Gioni have also curated such major international projects as the 4th Berlin Biennial (2006).
Olesya Turkina is a critic, curator and Senior Research Fellow in the Department of Contemporary Art at the State Russian Museum, St Petersburg.
"About this title" may belong to another edition of this title.
Seller: FITZ BOOKS AND WAFFLES, Buffalo, NY, U.S.A.
Hardcover. Condition: Near Fine. 1st Edition. This is a clean, unmarked copy with lightly scuffed covers. Seller Inventory # ABE-1776972248972
Seller: Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, United Kingdom
Condition: Poor. Spine/covers loosening. Laminate lifting & tears to cover by hinges. Considerable scratches/scuffs to cover, text scuffed off back, & bumps to edges. Marks/some staining to textblock edges. Content good. Seller Inventory # 127382-2
Quantity: 1 available
Seller: Spafford Books (ABAC / ILAB), Regina, SK, Canada
[978-0-7148-4680-4] 2007. (Mass market paperback) Near fine. 443pp. Slight creasing on the front and back cover. Seller Inventory # 121596
Seller: Antiquariat Haufe & Lutz, Karlsruhe, BW, Germany
4°. 443 S. mit zahlr. farb. Abb OPbd. Sehr gutes Exemplar. - Very good copy. Seller Inventory # 99164DB
Seller: Librairie Vignes Online, Paris, France
Condition: Très bon état. fort vol. in-4, cartonnage de l'éditeur, 443 pp., nombreuses photos et reproductions en couleurs. Dialogues avec 10 conservateurs et 10 écrivains, et présentation de 100 artistes contemporains internationaux. Texte en anglais. Très bon état. Seller Inventory # 89669
Seller: The Book Spot, Sioux Falls, MN, U.S.A.
Hardcover. Condition: New. Seller Inventory # Abebooks175612
Seller: Messinissa libri, Milano, MI, Italy
hardcover. Condition: Perfetto (Mint). 2007. Testo in inglese. Opera con copertina rigida e sovraccoperta alettata. Numerose illustrazioni a colori e b/n nt e ft. 443 p. : ill. color. ; 30 cm LF 23. Seller Inventory # 0000000150507
Seller: BWS BKS, Ferndale, NY, U.S.A.
Hardcover. Condition: New. "A compendium of cutting-edge art." - Miami Herald The summer forecast for contemporary art is decidedly "cooler" than expected. Massive cutting-edge international exhibitions including The Venice Biennale, Documenta 12 in Kassel, Germany and Sculpture Projects Muenster are all scheduled for June 2007 and the art world will be abuzz. But what if you can't make it to these events and you want a piece of the action? ICE CREAM: CONTEMPORARY ART IN CULTURE is an up to the minute collection of the most exceptional contemporary artists of tomorrow. It presents 100 of the world's top emerging artists selected by 10 esteemed curators including Jens Hoffman, Director of the CCA Wattis Institute in San Francisco; Shamim Momin, Associate Curator at the Whitney; Philippe Vergne, Chief Curator at the Walker Art Center; and The Wrong Gallery, formally "the smallest exhibition space in New York" that is now housed within the Tate Modern. Continuing the phenomenon established by its predecessors Cream (1998) Fresh Cream (2000) and Cream 3 (2003) as in "one that rises to the top," ICE CREAM identifies the cutting edge artists to watch in the future. The previous titles were a favorite among collectors as they accurately predicted a number of art stars including Tacita Dean, Olafur Eliasson and Thomas Hirschhorn. Stylishly designed, ICE CREAM also upholds the series' heritage of innovative packaging by featuring a shiny iridescent cover. In ICE CREAM, each curator has selected 10 important new artists who have either emerged internationally over the past five years, or are still relatively unknown. Their definition of emerged means that an artist has had solo shows, but nothing large-scale in a major institution (apart from a couple recent exceptions) , has been reviewed in the international art press, but not been the subject of a major monograph, and has been given sufficient exposure without yet becoming fully established. In the selection process, no limitations on geography or media were imposed. Over 25 countries are represented including China (a current favorite with collectors) , Brazil Russia, Canada, Slovenia, Korea, Israel, Kenya, Mexico and the U. S. Age was also not a factor. The Wrong Gallery even went so far as to select the "most unlikely candidates." Massimiliano Gioni explained, "In other words, we went for the wrong ones: artists who are more than 60 years old; artists who are not emerging, but have emerged or simply stuck around long enough to make their voices heard by anyone who would listen." They selected artists such as Maria Lassnig, David Medalla and Jiri Kovanda. ICE CREAM opens with a conversation between the contributors as they debate the changing role of the curator and current trends in contemporary art, including: *The blurring of roles between artist and curator demonstrated by the fact that artists have recently been invited to make selections in exhibitions. For example, The Wrong Gallery curated the 4th Berlin Biennial for Contemporary Art (2006) and presented an exhibition within the 2006 Whitney Biennial. The ICA London also exhibited the "Artist's Favorites" show in 2004. *The shift in the conception of the exhibition that expands beyond museum walls. Inserting art in different environments. *The effect of private art spaces that are run by collectors to display their own collections. Jens Hoffman states, "This will have a strong impact on the overall landscape of contemporary art, since many of those collectors who are opening spaces are also the people who give money to public institutions, which they'll probably cease to do (once they have their own location)." *The impact of the booming art market on artists who seem deeply affected by the pressure to conform to market forces and adapt their work. Each of the 100 artists is featured over four pages with a selection of their work together with a commentary by the curator who selected them, an exhibition history, and a bibliography. Every curator also. Seller Inventory # 85596