Chuck Close - a man who describes himself as "an artist looking for trouble" - has for three decades consistently but variously challenged the accepted boundaries of the printmaking tradition. Published to accompany a retrospective of his prints opening at Blaffer Gallery and traveling to the Metropolitan Museum of Art and several additional museums around the country, this is the first comprehensive survey of Close's revolutionary prints. Featuring exquisite reproductions of the prints together with essays on Close's career and in-depth interviews with the artist and his master printmakers, the volume blends words and images to give readers unique insight into the creative process.The text highlights the intensely collaborative nature of Close's project and looks into the challenges posed by the unprecedented huge scale he prefers. Close may labor on a single print for as long as two years, working out aesthetic problems that might involve the retrieval of a centuries-old European method on one day and the creation of an entirely new technique (such as applying sunscreen to block light) the next.'Prints have moved me in my unique work more than anything else has,' Close says. 'Prints change the way I think about things'. From the artist's ambitious first mezzotint to his recent pulp-paper multiples, this book chronicles the genius of Chuck Close in the medium in which he has done his most exciting work. Taken together, these prints constitute a remarkable self-portrait of the creative drive, vision, and intellect of one of America's most important living artists.Exhibition schedule include: Blaffer Gallery, the Art Museum of the University of Houston September 13-November 23, 2003; The Metropolitan Museum of Art, New York January 13-April 18, 2004; Miami Art Museum, Florida May 14-August 22, 2004; Knoxville Museum of Art, Tennessee October 29, 2004-March 27, 2005; Mint Museum of Art, Charlotte, North Carolina April 16-August 7, 2005; Addison Gallery of American Art, Andover, Massachusetts September 6-December 4, 2005; Modern Art Museum of Fort Worth, Texas April 16-June 28, 2006; Madison Museum of Contemporary Art in Madison, Wisconsin July 29 - October 6, 2006; Orange County Museum of Art, Newport Beach, CA January 28-April 20, 2007; Boise Art Museum, Idaho May 12-August 11, 2007; and, Portland Art Museum, Oregon September-December 2007.
"synopsis" may belong to another edition of this title.
Terrie Sultan is Director and Chief Curator of Blaffer Gallery, the Art Museum of the University of Houston. Her publications include "Seeing and Believing: The Art of Nancy Burson, Kerry James Marshall," and "Ida Applebroog: Nothing Personal". Richard Shiff is Effie Marie Cain Regents Chair in Art at the University of Texas. The author of "Cezanne and the End of Impressionism", he is coauthor of "Willem de Kooning: Tracing the Figure" (Princeton) and the editor of several other books.
"Close's relationship to printmaking is in the tradition of Durer, Rembrandt, Goya, and Picasso--who all used printmaking for its unique qualities as a creative process and as a means of solving esthetic issues. The interviews give a real sense of Close's enthusiasm for printmaking and for process, and the detailed illustrations are fascinating."--Judith K. Brodsky, Founding Director, The Rutgers Center for Innovative Print and Paper
"Closes relationship to printmaking is in the tradition of Durer, Rembrandt, Goya, and Picasso--who all used printmaking for its unique qualities as a creative process and as a means of solving esthetic issues. The interviews give a real sense of Closes enthusiasm for printmaking and for process, and the detailed illustrations are fascinating."--Judith K. Brodsky, Founding Director, The Rutgers Center for Innovative Print and Paper
"About this title" may belong to another edition of this title.
Seller: Gate City Books, GREENSBORO, NC, U.S.A.
Condition: acceptable. USED book in ACCEPTABLE condition. Cover and pages are in tact but may show creases, tears, water damage, handwriting, underlining, or highlighting. Supplemental items such as access codes and CDs not guaranteed. Seller Inventory # GCM.35CF
Seller: HPB-Diamond, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_460208440
Seller: JERO BOOKS AND TEMPLET CO., SANTA MONICA, CA, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. First edition. Hardcover with dust jacket. Folio with 159 pages. Signed on the pre-title page, "Terrie Sultan." The book and DJ are in very good condition very slight shelf wear. Interior clean and tight. Black/Yellow & Red text Size: Folio. Signed. Hardcover. Seller Inventory # 028891
Seller: Goodwill of Silicon Valley, SAN JOSE, CA, U.S.A.
Condition: good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in Good condition! Any other included accessories are also in Good condition showing use. Use can include some highlighting and writing, page and cover creases as well as other types visible wear. Seller Inventory # GWSVV.0691115761.G
Seller: Mainly Books, Silverdale, PA, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition; 1st Printing. Large format hardcover with dustjacket, first printing as indicated by the publisher's "1" in the number line on copyright page, this fine gift copy is in excellent condition, there are no remarkable flaws to the book or jacket and a professional (removable) mylar cover is included, "Published to accompany a retrospective of his prints - this is the first comprehensive survey of Close's revolutionary prints," includes a Chronology and a Glossary ; ; 160 pages. Seller Inventory # 050519
Seller: Diatrope Books, Berkeley, CA, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: very good. Unmarked. Unclipped dust jacket with a soft bend on the front and a closed tear on the back. Catalog for traveling exhibition. Glossary. Chronology. Index. 160p. 100 color plates, 38 B/W illustrations. Double gatefold. Measures 9.5x13 inches. Includes interviews with Chuck Close and the printers, Kathan Brown (Crown Point Press) on Mezzotinting, and more. Published to accompany a retrospective of his prints opening at Blaffer Gallery and traveling to the Metropolitan Museum of Art and several additional museums around the country, this is the first comprehensive survey of Close's revolutionary prints. Seller Inventory # 24108
Seller: Voyageur Book Shop, Milwaukee, WI, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Signed on the half-title page. Some corner wear to the dust jacket. K1. Signed by Author(s). Seller Inventory # 021895
Seller: DogStar Books, Lancaster, PA, U.S.A.
Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good+. First Edition; First Printing. 4to 11" - 13" tall; 160 pages; 2003 Princeton University Press. Oversize HC/DJ. 1st edition, 1st printing. Snugly bound and clean in uniformly bright color pictorial dust jacket. Just mild shelf rubbing to jacket edges. Laid in at rear are two loose, tissue guarded color prints of Close's portrait of Bill Clinton. They appear to be a high quality inkjet print on thick art stock paper. I have no idea of the source of these prints, possibly they could have been purchased at the National Portrait Gallery. The book profusely illustrated with process photos and reproductions of prints in color. NF/VG++. Seller Inventory # 53382
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, 160 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. Seller Inventory # ChClPr45
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
hardcover. Condition: fine. Dust Jacket Condition: near fine. Close, Chuck (illustrator). Illustrated throughout, some in color, some folding plates. 160 pages. Tall slim 4to, pictorial boards, d.w. Princeton: Princeton University Press & Houston: Blaffer Gallery, (2003). First edition. A fine copy in a near fine dust wrapper. A scarce catalogue. Seller Inventory # 271604