Chuck Close - a man who describes himself as "an artist looking for trouble" - has for three decades consistently but variously challenged the accepted boundaries of the printmaking tradition. Published to accompany a retrospective of his prints opening at Blaffer Gallery and traveling to the Metropolitan Museum of Art and several additional museums around the country, this is the first comprehensive survey of Close's revolutionary prints. Featuring exquisite reproductions of the prints together with essays on Close's career and in-depth interviews with the artist and his master printmakers, the volume blends words and images to give readers unique insight into the creative process.The text highlights the intensely collaborative nature of Close's project and looks into the challenges posed by the unprecedented huge scale he prefers. Close may labor on a single print for as long as two years, working out aesthetic problems that might involve the retrieval of a centuries-old European method on one day and the creation of an entirely new technique (such as applying sunscreen to block light) the next.'Prints have moved me in my unique work more than anything else has,' Close says. 'Prints change the way I think about things'. From the artist's ambitious first mezzotint to his recent pulp-paper multiples, this book chronicles the genius of Chuck Close in the medium in which he has done his most exciting work. Taken together, these prints constitute a remarkable self-portrait of the creative drive, vision, and intellect of one of America's most important living artists.Exhibition schedule include: Blaffer Gallery, the Art Museum of the University of Houston September 13-November 23, 2003; The Metropolitan Museum of Art, New York January 13-April 18, 2004; Miami Art Museum, Florida May 14-August 22, 2004; Knoxville Museum of Art, Tennessee October 29, 2004-March 27, 2005; Mint Museum of Art, Charlotte, North Carolina April 16-August 7, 2005; Addison Gallery of American Art, Andover, Massachusetts September 6-December 4, 2005; Modern Art Museum of Fort Worth, Texas April 16-June 28, 2006; Madison Museum of Contemporary Art in Madison, Wisconsin July 29 - October 6, 2006; Orange County Museum of Art, Newport Beach, CA January 28-April 20, 2007; Boise Art Museum, Idaho May 12-August 11, 2007; and, Portland Art Museum, Oregon September-December 2007.
"synopsis" may belong to another edition of this title.
Terrie Sultan is Director and Chief Curator of Blaffer Gallery, the Art Museum of the University of Houston. Her publications include "Seeing and Believing: The Art of Nancy Burson, Kerry James Marshall," and "Ida Applebroog: Nothing Personal". Richard Shiff is Effie Marie Cain Regents Chair in Art at the University of Texas. The author of "Cezanne and the End of Impressionism", he is coauthor of "Willem de Kooning: Tracing the Figure" (Princeton) and the editor of several other books.
"Close's relationship to printmaking is in the tradition of Durer, Rembrandt, Goya, and Picasso--who all used printmaking for its unique qualities as a creative process and as a means of solving esthetic issues. The interviews give a real sense of Close's enthusiasm for printmaking and for process, and the detailed illustrations are fascinating."--Judith K. Brodsky, Founding Director, The Rutgers Center for Innovative Print and Paper
"About this title" may belong to another edition of this title.
Seller: Wonder Book, Frederick, MD, U.S.A.
Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Seller Inventory # L04E-01770
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G069111577XI4N00
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G069111577XI4N00
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G069111577XI3N00
Seller: BooksRun, Philadelphia, PA, U.S.A.
Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Seller Inventory # 069111577X-11-18
Seller: Books From California, Simi Valley, CA, U.S.A.
Paperback. Condition: Good. Some light external wear on the cover. Otherwise, very clean, tight, square, and unmarked. A good copy. Pages are clean, text and pictures are intact and unmarred. Seller Inventory # mon0003802069
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 160 pages, very good condition; light rubbing to covers with laminate starting to peel at lower right corner; no internal marks. . Foreign shipping may be extra. Seller Inventory # ChClPr10
Seller: Lexington Books Inc, Idaho Falls, ID, U.S.A.
Paperback. Condition: Good. Contents are tight and clean; Covers are nicely protected; Ex-Library. Seller Inventory # 075449
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
paperback. Condition: Very Good. Very Good paperback with light shelfwear - NICE! Oversized. Seller Inventory # mon0000259801
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR007388241
Quantity: 1 available