Synopsis
Excerpt from Applied Forms: A Sequel to Musical Form
Definition of Cyclic Form, 442 - The process of evolution, 443 - The typical cyclic form, and its variations, 444 - Unity of character, 445 - The most important modern cyclic form developed from the Suite, 446 - Thc three movement form, 447 - Usual order of movements, 448 - All the move ments in the same key, 449 - Choice of key for the middle movement, 4 50-452 - The slow movement in a key in the second degree of relation ship, 453 - Ditto in an unrelated key, 454 - The slow movements of works in a minor key, 45 5 - 456 - The jorm of the second movement, 457 - The second movement in quick tempo, 458 - Form of the finale, 459 - Irregular arrangement of movements, 460, 461 - The two-movement form, 462 Contrast in the movements, 463 - The four-movement form, 464 General plan of the movements, 465 - The order of the middle movements optional, 466 - Four-movement works without a slow movement, 467 Deviations from the normal form, 468, 469 - Different methods of obtain ing unity, 470-472 - Cyclic works in more than four movements, 473 The modern Suite, 474 - Quartetts in five movements, 47 5 - The Serenade, 476 - The Cassation and Divertimento. 477 - The Concerto its regular form, 478 - Concertos in four movements, 479 Irregular forms: Bruch's violin Concertos, 480 - Saint piano concertos, 481, 482 - Liszt's concertos. 483 - The Symphonic Poem, 484, 485.
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Gebunden. Condition: New. KlappentextrnrnExcerpt from Applied Forms: A Sequel to Musical FormDefinition of Cyclic Form, 442 - The process of evolution, 443 - The typical cyclic form, and its variations, 444 - Unity of character, 445 - The most important modern cy. Seller Inventory # 2145727522