Brahms once complained that singers never performed his songs in the groups in which he had published them, which he likened to 'song bouquets'. Over a century later, many singers and musicologists continue to ignore Brahms's wishes and focus on the individual songs rather than the bouquet groups. This is a detailed study of the implications of Brahms's comments. Following an examination of contemporary aesthetic and generic frameworks, the book traces Brahms's Lieder from their conception, to the arrangement into bouquets, to performance and reception, and examines the sometimes contradictory roles played by poet, composer, performer and recipient in creating coherence in song collections. An investigation of the graphic cycles of Max Klinger reveals a startling visual analogue of Brahms's conception of the song bouquet, and a final examination of the evidence of Brahms's aesthetic outlook reveals that his intentions may have been cyclic in more than one sense.
"synopsis" may belong to another edition of this title.
Inge van Rij is a lecturer in music at Victoria University of Wellington, New Zealand.
"About this title" may belong to another edition of this title.
Seller: G.J. Askins Bookseller, New Lebanon, NY, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 284 page hardcover with many music example and graphic illustrations. 220 text pages, Notes, Select Bibliography, General Index, Index of Brahm's solo lieder and song collections, Alphabetical list of titles and first lines. No flaws - unmarked, tight and clean. Seller Inventory # 543335
Seller: Lacey Books Ltd, Cirencester, United Kingdom
Hardcover. Condition: Very Good. 2006 Cambridge University Press hardcover edition. Light reading wear else very good condition. Seller Inventory # FO-KVPN-21OT
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 53371905-6
Seller: The Scholar's Choice, Wolcott, NY, U.S.A.
hardcover. Condition: Very Good. Hardback with a dust jacket. Wear on the jacket edges and two small scrapes on the backside. No marks or underlines in the book. Seller Inventory # alpha-1260-21-0111
Seller: Pórtico [Portico], ZARAGOZA, Z, Spain
Tapa blanda. Condition: New. RIJ, I. VAN: BRAHMS'S SONG COLLECTIONS. CAMBRIDGE, 2006, xii 271 p. figuras, 750 gr. Encuadernacion original. Nuevo. (MD-M) 750 gr. Libro. Seller Inventory # 411798
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New. Seller Inventory # 4388919-n
Quantity: Over 20 available
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 4388919-n
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. A detailed analysis of the songs of Johannes Brahms. Num Pages: 284 pages, 16 tones 20 tables 41 music examples. BIC Classification: AVGC5; AVH. Category: (P) Professional & Vocational. Dimension: 247 x 174 x 17. Weight in Grams: 739. . 2006. Illustrated. hardcover. . . . . Seller Inventory # V9780521835589
Quantity: Over 20 available
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition. Seller Inventory # 4388919
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Seller: CitiRetail, Stevenage, United Kingdom
Hardcover. Condition: new. Hardcover. Brahms once complained that singers never performed his songs in the groups in which he had published them, which he likened to 'song bouquets'. Over a century later, many singers and musicologists continue to ignore Brahms's wishes and focus on the individual songs rather than the bouquet groups. This is a detailed study of the implications of Brahms's comments. Following an examination of contemporary aesthetic and generic frameworks, the book traces Brahms's Lieder from their conception, to the arrangement into bouquets, to performance and reception, and examines the sometimes contradictory roles played by poet, composer, performer and recipient in creating coherence in song collections. An investigation of the graphic cycles of Max Klinger reveals a startling visual analogue of Brahms's conception of the song bouquet, and a final examination of the evidence of Brahms's aesthetic outlook reveals that his intentions may have been cyclic in more than one sense. Brahms once complained that singers never performed his songs in the groups in which he had published them, which he likened to ???song bouquets??? Over a century later, many singers and musicologists continue to ignore Brahms??'s wishes and focus on the individual songs rather than the bouquet groups. This is the first detailed study of the implications of Brahms??'s comments. Following an examination of contemporary aesthetic and generic frameworks, the book traces Brahms??'s Lieder from their conception, to the arrangement into bouquets, to performance and reception, and examines the sometimes contradictory roles played by poet, composer, performer and recipient in creating coherence in song collections. An investigation of the graphic cycles of Max Klinger reveals a startling visual analogue of Brahms??'s conception of the song bouquet, and a final examination of the evidence of Brahms??'s aesthetic outlook reveals that his intentions may have been cyclic in more than one sense. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780521835589
Quantity: 1 available