Tells the stories of witches, a lynching, a vision, an attempt to create the perfect woman, forbidden experiments, secrets, and dreams
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"He is an aesthetic solitary. His beautiful, light imagination is the wing that on the autumn evening just brushes the dusky window."--Henry James
He is an aesthetic solitary. His beautiful, light imagination is the wing that on the autumn evening just brushes the dusky window. Henry James"
Nathaniel Hawthorne was born on July 4, 1804, in Salem, Massachusetts, the son and grandson of proud New England seafarers. He lived in genteel poverty with his widowed mother and two young sisters in a house filled with Puritan ideals and family pride in a prosperous past. His boyhood was, in most respects, pleasant and normal. In 1825 he was graduated from Bowdoin College, Brunswick, Maine, and he returned to Salem determined to become a writer of short stories. For the next twelve years he was plagued with unhappiness and self-doubts as he struggled to master his craft. He finally secured some small measure of success with the publication of his Twice-Told Tales (1837). His marriage to Sophia Peabody in 1842 was a happy one. The Scarlet Letter (1850), which brought him immediate recognition, was followed by The House of the Seven Gables (1851). After serving four years as the American Consul in Liverpool, England, he traveled in Italy; he returned home to Massachusetts in 1860. Depressed, weary of writing, and failing in health, he died on May 19, 1864, at Plymouth, New Hampshire.
Ross C. Murfin, professor of English at and former provost of Southern Methodist University, has also taught at the University of Virginia, Yale University, and the University of Miami, where he was Dean of the College of Arts and Sciences. He is the author of such books as Swinburne, Hardy, Lawrence and the Burden of Belief and The Poetry of D. H. Lawrence: Texts and Contexts. He is coauthor, with Supryia Ray, of The Bedford Glossary of Critical and Literary Terms (second edition) and series editor of Bedford/St. Martin's popular Case Studies in Contemporary Criticism.
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