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Synopsis
Articles in this issue examine the split between national and popular interests through an analysis of Branagh's 'multicultural'Much Ado - 'a Shakespeare film for the world'; the problem of the 'popular' in the field of Cultural Studies; Virginia Woolf's life as an essayist in the light of Adorno's theory of the genre; anti-Semitism in Cocteau's version of La Belle et la Bete; the binary of difference in Neil Jordan's The Crying Game; and a reconsideration of Freud's castration complex.
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Review
""TP contains some of the most path-breaking, adventurous critical writing currently to be found...."
-nerry Eagleton, Linacre College, Oxford
From the Back Cover
Since its launch in 1987, Textual Practice has been Britain's principal international journal of radical literary studies, continually pressing theory into new engagements. Alan Sinfield of the University of Sussex became the New Editor of the journal. Today, as customary relations among disciplines and media are questioned and transformed, TP works at the turning points of theory with politics, history and texts. It is intrigued by the processes through which hitherto marginal cultures of ethnicity and sexuality are becoming conceptually central, and by the consequences of these diverse disturbances for educational and cultural institutions.
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Textual Practice: Volume 12, Issue 1
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Textual Practice: Volume 12, Issue 1 [Paperback] Sinfield, Alan and Smith, Lindsay
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