Illustrated with over fifty photos, Civilizing Rituals merges contemporary debates with lively discussion and explores central issues involved in the making and displaying of art as industry and how it is presented to the community.
Carol Duncan looks at how nations, institutions and private individuals present art , and how art museums are shaped by cultural, social and political determinants.
Civilizing Rituals is ideal reading for students of art history and museum studies, and professionals in the field will also find much of interest here.
"synopsis" may belong to another edition of this title.
Carol Duncan teaches art history at Ramapo College of New Jersey. Her essays have been collected in The Aesthetics of Power (1993).
In a groundbreaking study, Carol Duncan explores the function of art museums as ritual settings and as cultural artifacts that are much more than neutral shelters for art. She illuminates the ways in which museums in France, Britain and the U.S. engage their visitors in the performance of ritual scenarios and, through them, communicate and affirm ideas, values and social identities.
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Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
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Seller: Library House Internet Sales, Grand Rapids, OH, U.S.A.
Softcover. Condition: Good. No Jacket. "Public art museums have become necessary fixtures of every city or country with any claim to importance. Yet we have still to understand what happens in them. Civilizing Rituals treats art museums from a new perspective--as ritual settings in their own right and as cultural artifacts that are much more than neutral shelters for art. Drawing from both anthropological and philosophical literature, Carol Duncan begins by exploring the idea of the art museum-as-ritual. She examines specific musuem rituals in the US, Britain and France including the Metropolitan Museum of Art, the Musuem of Modern Art, the National Gallery in London, the Louvre and several donor memorials including the Frick Collection and the Morgan Library, not only in relation to their political and social contexts but also paying close attention to the details of the museum settings themselves. Duncan illuminates the ways in which musuems engage their visitors in the performance of ritual scenarios and, through them, commmunicate and affirm ideas, values and social identities. Art museums emerge as significant objects of historical and art-historical inquiry, sites on which political power and social interests and the history of cultural forms visibly intersect."--Publisher's description. Solid binding. Moderate shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book. Seller Inventory # 123810163
Seller: WeBuyBooks, Rossendale, LANCS, United Kingdom
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Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_470994326
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Seller: Better World Books, Mishawaka, IN, U.S.A.
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Seller: Anybook.com, Lincoln, United Kingdom
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