Armstrong proposes a theory of the language of 19th- century poetry derived from Romantic philosophy in this highly original and important new study. Partial contents:^R Wordsworth's complexity: Prelude (1805), Book VI; Blakes's simplicity: Jerusalem, Chapter 1; Shelley's perplexity:^R Prometheus Unbound; Browning, the fracture of subject and object: Sordello, Book III; Tennyson, the collapse of object and subject:^R In Memoriam
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Abou the Editors
Isobel Armstrong is Professor of English at Birkbeck College, University of London.
Joseph Bristow is Senior Lecturer in English at the University of York and currently holds the position of Senior External Research Fellow at Stanford University.
Catharine Sharrock is Lecturer in English at the University of East Anglia.
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