The conditions of alienation and exclusion are inextricably linked to the experience of the migrant. This ground-breaking volume explores both the increasing emergence of the theme of migration as a dominant subject matter in art as well as the ways in which the varied mobilities of a globalized world have radically reshaped art's conditions of production, reception, and display.
In a wide-ranging selection of essays, fourteen distinguished scholars in the fields of visual studies, art history, literary studies, global studies, and art criticism explore the universality of conditions of global migration and interdependence, inviting a rethinking of existing perspectives in postcolonial, transnational, and diaspora studies, and laying the foundation for empirical and theoretical directions beyond the terms of these traditional frameworks.
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Saloni Mathur is associate professor of art history at the University of California, Los Angeles.
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Condition: New. Explores the emergence of the theme of migration as a dominant subject in the world of art, as well as the ways in which the mobilities of our globalized world have radically reshaped art's conditions of production, reception, and display. Editor(s): Mathur, Saloni. Series: Clark Studies in the Visual Arts. Num Pages: 256 pages, 75 black-&-white illustrations. BIC Classification: ABA; ACXJ; JFFN. Category: (G) General (US: Trade). Dimension: 240 x 177 x 18. Weight in Grams: 642. 2011. paperback. . . . . Books ship from the US and Ireland. Seller Inventory # 9780300134148
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Condition: New. Explores the emergence of the theme of migration as a dominant subject in the world of art, as well as the ways in which the mobilities of our globalized world have radically reshaped art's conditions of production, reception, and display. Editor(s): Mathur, Saloni. Series: Clark Studies in the Visual Arts. Num Pages: 256 pages, 75 black-&-white illustrations. BIC Classification: ABA; ACXJ; JFFN. Category: (G) General (US: Trade). Dimension: 240 x 177 x 18. Weight in Grams: 642. 2011. paperback. . . . . Seller Inventory # 9780300134148
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Paperback. Condition: New. Orderbook - wwb -----THE MIGRANT'S TIME: RETHINKING ART HISTORY AND DIASPORA. Ed. By Saloni Mathur. Sterling and Francine Clark Art Institute, Williamstown, 2011. Clark Studies in the Visual Arts. Distributed by Yale University Press, New Haven. 272 pp. With 67 ills. 25 x 18 cm. LC 2011-16609 ISBN 9780300134148 In English. Presents 14 scholarly essays exploring the emergence of the theme of migration in contemporary art; a related conference titled "Art History and Diaspora: Genealogies, Theories, Practices" was held in 2008 at the Sterling and Francine Clark Art Institute in Williamstown. Indexing: Western, International (Western Style) â" Post-1945 â" Several Media Plans: 71 Worldwide Number: 142474Paperbound $24.95x (libraries receive a 10% discount on this title) 99 / CHANGE0722022; *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 272 pages; 67 illustrations. -- with a bonus offer--; The conditions of alienation and exclusion are inextricably linked to the experience of the migrant. This ground-breaking volume explores both the increasing emergence of the theme of migration as a dominant subject matter in art as well as the ways in which the varied mobilities of a globalized world have radically reshaped art's conditions of production, reception, and display.In a wide-ranging selection of essays, fourteen distinguished scholars in the fields of visual studies, art history, literary studies, global studies, and art criticism explore the universality of conditions of global migration and interdependence, inviting a rethinking of existing perspectives in postcolonial, transnational, and diaspora studies, and laying the foundation for empirical and theoretical directions beyond the terms of these traditional frameworks. Seller Inventory # 94888