Conceived as a sequel to the critically acclaimed Tapestry in the Renaissance: Art and Magnificence (2002), this lavishly illustrated volume is the first comprehensive survey of 17th-century European tapestry available in English. From the Middle Ages until the late 18th century, European courts expended vast sums on tapestries, which were made with precious materials after designs by the leading artists of the day. Yet, this spectacular medium is still often presented as a decorative art of lesser importance. Tapestry in the Baroque challenges this notion, demonstrating that tapestry remained among the most prestigious figurative mediums throughout the 17th and early 18th centuries, prized by the rich for its artistry and as a propaganda tool. The book features forty-five of the finest surviving examples from collections in more than fifteen countries, as well as a number of related designs and oil sketches. Through these it examines the stylistic developments of tapestry between 1590 and 1720, when such masters as Peter Paul Rubens, Jacob Jordaens, Simon Vouet, Charles Le Brun, Pietro da Cortona, and Giovanni Romanelli responded to the challenges and opportunities of the medium in the context of contemporary artistic developments.
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"In his catalogues, Campbell, assisted by contributions from many of the best scholars in the field, helps us understand how such astonishing works could be so undervalued."--Jed Perl, The Atlantic Monthly--Jed Perl"The Atlantic Monthly" (10/01/2008)
Thomas P. Campbell is Curator, Department of European Sculpture and Decorative Arts, The Metropolitan Museum of Art. He is the author of Henry VIII and the Art of Majesty and Tapestry in the Renaissance: Art and Magnificence (2002).
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Soft cover. Condition: Very Good. Dust Jacket Condition: None, as Issued. x + 563 pp. Pictorial Cover. Exhibition catalog, 2007 major exhibition of tapestries from 1570 to 1720, the sequel to the Met's 2002 exhibition "Tapestry in the Renaissance". Hundreds of illustrations, including many details of the subject works. Most are in color, some are b/w, but this is a lavish catalog and scholarly work, including contributions from most of the current Art History experts on tapestry. The exhibition was astonishing in its depth and quality; this catalog is no less so. An indispensable reference for the subject. This copy is clean, the binding is solid, the pages firmly attached. There are no markings or highlighting, just some minor shelf wear. This is a very heavy book. Seller Inventory # TP08401
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Condition: Used - Very Good. 2007. Illustrated. Hardcover. Very Good. Seller Inventory # D110781
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Hardcover. Condition: Used - Very Good. Conceived as a sequel to the critically acclaimed 'Tapestry in the Renaissance: Art and Magnificence (2002),' this lavishly illustrated volume is the first comprehensive survey of 17th-century European tapestry available in English. From the Middle Ages until the late 18th century, European courts expended vast sums on tapestries, which were made with precious materials after designs by the leading artists of the day. Yet, this spectacular medium is still often presented as a decorative art of lesser importance. 'Tapestry in the Baroque' challenges this notion, demonstrating that tapestry remained among the most prestigious figurative mediums throughout the 17th and early 18th centuries, prized by the rich for its artistry and as a propaganda tool.The book features forty-five of the finest surviving examples from collections in more than fifteen countries, as well as a number of related designs and oil sketches. Through these it examines the stylistic developments of tapestry between 1590 and 1720, when such masters as Peter Paul Rubens, Jacob Jordaens, Simon Vouet, Charles Le Brun, Pietro da Cortona, and Giovanni Romanelli responded to the challenges and opportunities of the medium in the context of contemporary artistic developments. Back dj has a open tear othewise a very nice cleant tight copy. Seller Inventory # 289624
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