Learning from Las Vegas created a healthy controversy on its appearance in 1972, calling for architects to be more receptive to the tastes and values of "common" people and less immodest in their erections of "heroic," self-aggrandizing monuments.This revision includes the full texts of Part I of the original, on the Las Vegas strip, and Part II, "Ugly and Ordinary Architecture, or the Decorated Shed," a generalization from the findings of the first part on symbolism in architecture and the iconography of urban sprawl. (The final part of the first edition, on the architectural work of the firm Venturi and Rauch, is not included in the revision.) The new paperback edition has a smaller format, fewer pictures, and a considerably lower price than the original. There are an added preface by Scott Brown and a bibliography of writings by the members of Venturi and Rauch and about the firm's work.
"synopsis" may belong to another edition of this title.
..."professionally informed, competitively astute, and perversely brilliant..."-- The Yale Review
..."these studies are brilliant...the kind of art history and theory that is rarely produced."-- The New York Times, Ada Louis Huxtable
..."a brilliant document of the times...a work which uses history knowledgeably, skillfully, and creatively: a rarity."-- Journal of the Society of Architectural Historians
-- The New York Times, Ada Louis Huxtable
-- Journal of the Society of Architectural Historians
" ...professionally informed, competitively astute, and perversely brilliant..." -- The Yale Review
" ...these studies are brilliant...the kind of art history and theory that is rarely produced." -- The New York Times, Ada Louis Huxtable
" ...a brilliant document of the times...a work which uses history knowledgeably, skillfully, and creatively: a rarity." -- Journal of the Society of Architectural Historians
& quot; ...professionally informed, competitively astute, and perversely brilliant...& quot; -- The Yale Review
& quot; ...these studies are brilliant...the kind of art history and theory that is rarely produced.& quot; -- The New York Times, Ada Louis Huxtable
& quot; ...a brilliant document of the times...a work which uses history knowledgeably, skillfully, and creatively: a rarity.& quot; -- Journal of the Society of Architectural Historians
.,."professionally informed, competitively astute, and perversely brilliant..." -- "The Yale Review"
.,."these studies are brilliant...the kind of art history and theory that is rarely produced." -- The New York Times, "Ada Louis Huxtable"
.,."a brilliant document of the times...a work which uses history knowledgeably, skillfully, and creatively: a rarity." -- "Journal of the Society of Architectural Historians"
."..professionally informed, competitively astute, and perversely brilliant..."-- "The Yale Review"
."..a brilliant document of the times...a work which uses history knowledgeably, skillfully, and creatively: a rarity."-- "Journal of the Society of Architectural Historians"
."..these studies are brilliant...the kind of art history and theory that is rarely produced."-- The New York Times, "Ada Louis Huxtable"
."..a brilliant document of the times...a work which uses history knowledgeably, skillfully, and creatively: a rarity." Journal of the Society of Architectural Historians
."..professionally informed, competitively astute, and perversely brilliant..." The Yale Review
."..these studies are brilliant...the kind of art history and theory that is rarely produced." The New York Times Ada Louis Huxtable
..".a brilliant document of the times...a work which uses history knowledgeably, skillfully, and creatively: a rarity." Journal of the Society of Architectural Historians
..".professionally informed, competitively astute, and perversely brilliant..." The Yale Review
..".these studies are brilliant...the kind of art history and theory that is rarely produced." The New York Times Ada Louis Huxtable
...these studies are brilliant...the kind of art history and theory that is rarely produced.--Ada Louis Huxtable "The New York Times "
...these studies are brilliant...the kind of art history and theory that is rarely produced.
--Ada Louis Huxtable "The New York Times "Steven Izenour (1940-2001) was coauthor of Learning from Las Vegas (MIT Press, 1977) and a principal in the Philadelphia firm Venturi, Scott Brown and Associates, Inc (VSBA). His most noted projects at VSBA include Philadelphia's Basco showroom, the George D. Widener Memorial Treehouse at the Philadelphia Zoo, the Camden Children's Garden, and the house he designed for his parents in Stony Creek, Connecticut.
"About this title" may belong to another edition of this title.
Seller: ThriftBooksVintage, Tukwila, WA, U.S.A.
Hardcover. Condition: Good. No Jacket. Revised edition, fourth printing. Shelf and handling wear to cover and binding, with general signs of previous use. Paperback copy. Cover has scuffing and edgewear with minor creasing and staining. Page edges have notable foxing. Front end paper has the previous owners name; end papers along with some interior pages have additional spotting and staining but text and images are overall clean and unmarked. Secure packaging for safe delivery. Seller Inventory # 1681002640
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0262220202I3N00
Seller: Keeps Books, Wilmington, IL, U.S.A.
hardcover. Condition: Very Good. 8th printing, 1986. Dust jacket has light edge bumping and wear. Text unmarked, pages clean & bright, binding tight. Ships Next Business Day. Seller Inventory # 260619016
Seller: Bookbot, Prague, Czech Republic
Hardcover. Condition: Fair. Verschmutzung / Wasserschaden; Abnutzung / Risse - deutlich. This revision, first published in 1972, sparked significant debate by urging architects to align more closely with the tastes and values of everyday people, moving away from grandiose, self-serving structures. It retains the full texts of Part I, focusing on the Las Vegas strip, and Part II, which discusses "Ugly and Ordinary Architecture, or the Decorated Shed," drawing conclusions about symbolism in architecture and urban sprawl from the first part. Notably, the final section on the architectural contributions of Venturi and Rauch is omitted in this edition. The new paperback format is smaller, features fewer images, and is priced more affordably than the original. Additionally, it includes a new preface by Scott Brown and a bibliography of writings related to Venturi and Rauch and their work. The book continues to challenge conventional architectural norms and encourages a more inclusive approach to design. Seller Inventory # 25afbba2-b355-4ee2-b581-6eb9d53ad114
Quantity: 1 available
Seller: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Germany
Hardcover. Condition: gut. 1977. Learning From Las Vegas: The Forgotten Symbolism of Architectural Form - Revised Edition In deutscher Sprache. pages. Seller Inventory # BN348157
Seller: GoldBooks, Denver, CO, U.S.A.
Hardcover. Condition: new. New Copy. Customer Service Guaranteed. Seller Inventory # 83E57_52_0262220202