Although Pablo Picasso's name is virtually synonymous with modernity, his late graphics repeatedly turn back to the traditional theme of the artist and model. Had the aging artist turned reactionary, or is Picasso's treatment of the theme more subversive than anyone has suspected?
In this innovative study, Karen L. Kleinfelder rejects the claim that Picasso's later work was a failure. The failing, she claims, lies more in the way we typically have read the images, treating them merely as reflections of an "old-age" style or of the artist's private life.
Focusing on graphics dating from 1954 to 1970, Kleinfelder shows how Picasso plays with the artist-model theme to extend, subvert, and parody both the possibilities and limits of representation. For Kleinfelder, Picasso's graphic work both mystifies and demystifies the creative process, venerates and mocks the effects of aging and the artist's self-image as a living "old master," and acknowledges and denies his own fear of death.
Using recent interpretive and literary theory, Kleinfelder probes the three-way relationship between artist, model, and canvas. The dynamics of this relationship provided Picasso with an open-ended textual framework for exploring the dichotomies of man/woman, self/other, and vitality/mortality. What unfolds is the artist's struggle not only with the impossibility of representing the model on canvas, but also with the inevitability of his own death.
Kleinfelder explores how Picasso's means of pursuing these issues allows him to defer closure on a long, productive career. By focusing on the graphics rather than the paintings, Kleinfelder contradicts the primacy of the painted "masterpiece"; she steers the reader away from the assumption that the artist must work toward creating a final body of work that signifies the culmination of his search for a coherent identify.
Picasso's search, she argues, realizes itself in the creative process. She interprets the late graphics not as a biographical statement but as a tool for investigating the possibilities of representation within the limits of Picasso's medium and his lifetime. Richly illustrated, Kleinfelder's book will open up new approaches to the late work of this complex artist.
"synopsis" may belong to another edition of this title.
Seller: River Books, Baltimore, MD, U.S.A.
hardcover. Condition: Good. Unmarked pages. Binding solid. Moderate cover wear. Seller Inventory # 187801-17.09-7MERCH
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780226439839. Seller Inventory # 9486950
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Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
hardcover. Condition: Used-Very Good. 1st Edition. Cloth, d.j., in an acetate cover. Some shelf-wear. Else clean copy. Seller Inventory # 1793129
Seller: Arches Bookhouse, Portland, OR, U.S.A.
Hardcover with Dust Jacket. Condition: BRAND NEW. Dust Jacket Condition: NEW. xvii, 256pp. Square 4to, off-white cloth. In publisher's shrinkwrap. Seller Inventory # 513770
Seller: L. Michael, North Hollywood, CA, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. UNIVERSITY of CHICAGO PRESS; UCP (illustrator). 1st Edition. B00K: Very G00D/ $129.12, Reduced from. 0226439836 the ARTIST, his MODEL, her IMAGE, his GAZE PICASSO'S PURSUIT of the MODEL; Signed. * KLEINFELDER, Karen L. UNIVERSITY of CHICAGO PRESS Chicago * * * * * 1994 1sT Edition, 1sT Printing Off White Spine, With Title In Black Letters, Tall And Wide Clear Acetate/Plastic Dust Jacket Cover BooK: Very Good/Fine/, Shelf, Edge And Corner Wear. Some Light Colored Spots Under The Mylar, On The Front Cover In The Bottom Left Corner. Hard Cover BooK: Fine/, Slight Shelf, Edge And Corner Wear. One Small Nick Into The Bottom Of The Front Cover. Gift Inscription, Inside Front Cover, Signed By The Author In Black Ink, As Follows, 'To Dolly - - One of the women Who helped me to better understand Picasso. Thanks, Karen L Kleinfelder'. 256 Numbered Pages That Appear To Be Lightly Viewed, And Are Clean And Tight To The Spine, Slight Shelf, Edge And Corner Wear. Printed On Off White Paper. Acquired From The Estate Of Dolly Freund. = Description Applies To This B00K, Only. = This Author Signed Book Has A Special Significance, Is Hard To Find, Will Be Packaged And Shipped = Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift, For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING, AVAILABLE. =*=* California State Law Now Requires The Following Notice Be Given: *=*=* Seller Did Not See And Was Not Present When This Item Was Signed. No Certificate Of Authenticity Is Included In This Sale/Purchase Price. If You Would Like A Certificate Of Authenticity, You Can Obtain One At Your Own Convenience And Expense, Which Is Not Included In The Purchase Price Of This Item. =*=*. Signed by Author(s). Seller Inventory # 010172
Seller: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Hardcover. Dust Jacket Included. 8vo. pp. xvii, 256. many b/w illus. biblio. index. cloth. dw. (dw. bit soiled). First Edition. Seller Inventory # AEIeKLEI95
Seller: Antiquariat Rohde, Hamburg, Germany
Leinen. Condition: Sehr gut. 273 S., zahlr. Ill. sehr guter Zustand, leichte Lagerspuren am Schutzumschlag, kleine Bleistiftnotiz im Vorsatz Sprache: Englisch Gewicht in Gramm: 1013. Seller Inventory # 44288