Synopsis
Offers the insight and tools needed to understand and perform 16th-Century music
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About the Author
For almost forty years, 16th-century music - particularly on renaissance flutes - has been one of Anne Smith's central interests. She has spent most of that time at the Schola Cantorum Basiliensis in Basel, which provides an ideal environment for live research on historical performance practice.
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The Performance of 16th-Century Music: Learning from the Theorists
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Oxford University Press (edition 1), 2011
ISBN 10: 0199742618
ISBN 13: 9780199742615
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The Performance of 16th-Century Music: Learning from the Theorists
Published by
Oxford University Press, 2011
ISBN 10: 0199742618
ISBN 13: 9780199742615
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Performance of 16th-century Music : Learning from the Theorists
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The Performance of 16th-Century Music
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Performance of 16th-century Music : Learning from the Theorists
Published by
Oxford University Press, 2011
ISBN 10: 0199742618
ISBN 13: 9780199742615
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The Performance of 16th-Century Music
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ISBN 10: 0199742618
ISBN 13: 9780199742615
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Paperback. Condition: New. Modern musical training tends to focus primarily on performance practices of the Classical and Romantic periods, and most performers come to the music of the Renaissance with well-honed but anachronistic ideas and concepts. As a result, elemental differences between 16th-century repertoire and that of later epochs tend to be overlooked-yet it is just these differences which can make a performance truly stunning. The Performance of 16th-Century Music offers a remedy for the performer, presenting the information and guidance that will enable them to better understand the music and advance their technical and expressive abilities. Drawing from nearly 40 years of performing, teaching, and studying this repertoire and its theoretical sources, renowned early music specialist Anne Smith outlines several major areas of technical knowledge and skill needed to perform the music of this period. She takes the reader through part-books and choirbooks; solmization; rhythmic inequality; and elements of structure in relation to rhetoric of the time; while familiarizing them with contemporary criteria and standards of excellence for performance. Through The Performance of 16th-Century Music, today's musicians will gain fundamental insight into how 16th-century polyphony functions, and the tools necessary to perform this repertoire to its fullest and glorious potential. Seller Inventory # LU-9780199742615
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The Performance of 16th-Century Music: Learning from the Theorists
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The Performance of 16th-Century Music: Learning from the Theorists
Published by
Oxford University Press, 2011
ISBN 10: 0199742618
ISBN 13: 9780199742615
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Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR011989402