A chef, a portraitist and a barber are taken hostage in a bloody coup to overthrow their boss, the President. They are held in a sparsely-furnished room, in a castle high above a nameless capital city. Far below them, chaos tears through the streets. The chef's daughter, the portraitist's wife and the barber's lover watch their men from the shadows. In such chaotic times, intimate relationships are as dangerous as political ones. As the old order collapses, so does the network of secrets and lies that hid the brutal truth about their own dark passions. Drawing her readers masterfully towards the novel's devastating climax, Ceridwen Dovey reveals how humanity's most atavistic impulses - vanity, obsession and vengeance - seethe, relentlessly, just beneath the veneer of civilization.
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A spare political fable assesses the contaminating nature of power in both public and private lives.A small cast of nameless characters interacts intricately in Dovey's poised debut, set in an unnamed country in the grip of political turmoil. Three men initially share the narration - a portraitist, a chef and a barber - all of whom have worked for the President and are now swept up in regime change when the Commander launches a coup. Imprisoned in the head of state's Summer Residence, the President is beaten and forced to confront the violence he inflicted on his opponents, while the three captured workers take up their old roles, now in the service of the new leader. The portraitist's wife, eight months pregnant, has also been taken prisoner. The barber recognizes the Commander's wife: Previously she was the fiancee of his brother, who was one of the President's victims. The book is divided into three parts, and in part two the women speak - the chef's daughter and the wives - revealing their pasts and their mixed feelings toward their relations. Simultaneously sensuous and claustrophobic, the novel charts deception, estrangement and the recognition of power's inevitably corrupting tendency. The brief but intense story concludes in a violent cycle of death, birth and grim continuity.A dense, dark, impressively controlled first work. Not for optimists. (Kirkus Reviews)
Rejacketed and relaunched, Ceridwen Dovey's unforgettable and gripping novel is now in paperback, its natural format: 'Blood Kin is a fable of the arrogance of power, beneath whose dreamlike surface swirl currents of complex sensuality, male and (particularly) female.' J. M. Coetzee
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